Zumwalt Poems Online

Archive for the ‘Zumwalt’ Category

Stop the chop, chop, chop.

We
see
a tree!  A tree!
Since it’s the last one living free
We will grab it quickly for our family.
A Tree!!!

Crop the lower middle to the
Top off!
Chop!!! Chop!!!
Don’t yet Stop!
Hear the Plop!
Chop! Chop!! Chop!!! Chop!!! Chop! Chop! Chop!!!!!!!!!!!!!!!!

— Zumwalt (2011)

(see related poem https://zumpoems.com/2011/07/10/theyve-stripped-the-forest-for-babble/)

Zumwalt’s response to http://dversepoets.com/2011/11/17/form-for-all-beth-winter-hosts-staccato-form/#comment-5757  This is, in Zumwalt’s words, “a crime against this staccato form that pales in comparison to crimes against nature.”)

Admin Note: Zumwalt wrote this for another poetry blog’s prompt, and I posted it here the same day. This is a disarmingly simple yet effective eco poem that liberally employs rhymes, staccato rhythms and onomatopoeia to mock human greed and the destruction of the natural world. Note how the enjambment and overall use of rhythm emphasize the lack of constraint and discipline of those who think of nature’s bounty as items for personal decoration. Please note that the other poems created for this prompt are still accessible in the “Mister Linky” URL above. I encourage all to browse these other entries and also note how Zumwalt adheres to the rules of the prompt, while subverting their intent.

Note the shifts between rolling ternary and staccato binary groupings.

Note some of the rhythmic sculpting deployed as shown in this example: “We will grab it quickly for our family” (This rapid grouping mimics the hurried rush of grabbing the tree as well as creating a sense of displacement or disruption via displaced meter.)

The ball is in our courts

The ball is in our courts

The shirts press the skins
looking for the turnover.

The skins set screens to break the press
and force overtime.

The two teams play
without arena staff,
relying on unknown referees,
the crowd locked out of the building.

It is a territorial sport
that knows no season
and cares little about the ticking of the clock.

It is a rich person’s sport
like shooting barasingha
or showering with Krug champagne.

Would my boss keep me from working
if I refuse a multi-million dollar contract
and fifty-fifty revenue sharing?

Would I be laughed at
if I asked for vacation from May
through September
with October for retraining?

It’s not so much that I worry
about the players or the owners
it’s more about the lost life-risking excavating opportunities
for the mal-nourished children of Sierra Leone and Angola
as demand for diamonds by the NBA elite precipitously declines.

It’s not so much that I worry
about lost revenue for TNT and ESPN —
it’s whether this ultimately means
that Superbowl pregame coverage starts around St. Patrick’s Day.

Nonetheless, I am patient:
I can do without annoying puppet commercials
and twenty-seven-attempts slam dunk contests,

but I have one question
is it much of a game
when it’s not the players,
not the owners
that lose their shirts
but only the arena employees and nearby small business blue-collar workers?

— Zumwalt 2011

The Handcuff King

The Handcuff King

Escape pays for now:
suspend me upside down;
lock glass and steel;
fill fully;
water flowing over.

But if my escapes entertains,
understand that it is my existence.
I can handle building-size milk cans, Chinese water torture cells,
underwater crates and being buried alive.

Faced with flight or forced-fight,
the choice is easy
but understand I must force fight to flee:
no escape is without struggle.

But without escape or the opportunity of one,
I must hang on
and for how long?

Until I burst?

Or until I meet the next world:
the destiny of all that depart?

Explain to me the retreat available:
the extrication that sidesteps;
the evasion that slips the lock,
that springs a liberation.

No,  you know no more than I about withdrawal.
You just know more about staying the course
and that won’t help much
when I need to leave, not the visage of death,
but death itself
and its closely shrouded, tightly bound design.

— Zumwalt (2011)

Admin Note:

This poem was published in 2026 at The Good Men Project: https://goodmenproject.com/featured-content/faceoff-on-facebook/ along with Zumwalt’s “Faceoff on Facebook.”

“The Handcuff King” is a dark, existential poem drawing on Houdini-style escape artistry to reflect on human struggle, entrapment, and the inevitability of mortality.

Escapology is the practice of freeing oneself from physical restraints like handcuffs or water tanks, which “The Handcuff King” uses as a motif to explore the ultimate impossibility of fleeing mortality. The poem moves from the spectacle of physical escape to a somber meditation on life’s unavoidable traps, contrasting the urge to retreat with the necessity of facing death itself.

“Faceoff on Facebook” is an aggressive, openly ironic poem using violent hockey imagery as an extended metaphor for social media comment-section warfare and digital narcissistic egocentrism. An extended metaphor is a comparison between two unlike things that unfolds across multiple lines of a text, and Zumwalt employs it in “Faceoff on Facebook” to frame oppositional digital comments as a brutal hockey match. The poem scoffingly exposes how online outrage is often driven less by truth or facts than by raw ego, personal boredom, and the side effects of physical isolation.

what soul is not besieged

what soul is not besieged

what soul is not besieged by rotten eggs and soft tomatoes
by answers unreturned and questions unsent
by minutes that make up hours and hours
           that tear down the day

what mind is not put upon and
           once put upon
                           cast off into a corner
what body is not battered and
                   beaten by the blows it shields
itself from

what soul is not bombarded
         by twenty-two gauge shot and mortar fire
by unresolved cadential patterns
         that whine around the head

by invalidation of beliefs and
         of what one has seen and sensed

there is reason to suspect that one can grow
if only the rainy season didn’t last
                                                       the entire year.

—  Zumwalt (1991)

On an afternoon

On an afternoon

On a breezy summer afternoon
two universes, once far apart,
approached each other
and drawn by forces
not easily understood,
collided
and created the beginnings
of a universe
with different rules and circumstances
than the previous two.

Dense and hot,
close and furious,
with energy beyond any expectation
this new universe started,
expanded,
establishing first an identity
and then a history.

Heat gave way to growth
and sometimes we gave way to each other.

Attraction resulted in collisions
and each left their own marks on the other.

I once knew another universe
so different
but not so long ago.
Now there is only this one
with its own rules
and strange little quarks.

I once grew in another universe
with not such clear boundaries.
It was less predictable
and less complicated
without any out-of-equilibrium decay scenarios
or unexpected violations of time inversion symmetry.

This universe
gave us the nursery:
each star more important
than the universe itself
but adding to and altering its very fabric.

Yet, how could I not notice
that each star had its very own universe
and paid little attention to the grander scheme.
Envious, I was, like the biker who sold his Harley
and had to watch it be driven off the lot.

This universe gave us grandchildren:
each one more precious than any law of physics.

Yet, how could I not note that this
was the measurement of time.

I cannot escape this universe,
I cannot go back to the one I had.
I do not know the difference between you and I
or the underlying nature of this universe itself.

I do not know where your universe went
or what part it played in the one we share.
I cannot see how this universe ends
or if it still depends on you and I.

On a breathtaking, brilliant summer afternoon
two independent universes, each with its own part,
appropriated each other
and created new forces
not easily withstood,
coincided,
and then guided the beginnings
of a universe
with different composition and consequences
than the previously predominant two.

— Zumwalt (2011)

when winning is not enough

when winning is not enough

he like a stunned animal
holds the fragrant unclothed stranger
this remnant of the victory of last night.

she is half asleep
tenderly young
sweet
and so totally a stranger.

he feels like another empty episode has escaped into the ozone layer.
There is not even anything to gnaw on.

he wonders how to wake her up
half asleep
himself.

— Zumwalt (June 1991)

carried away

carried away

i now cannot say that this
is not what i cannot say

i keep quiet
carefully
counting out
the contrast
of continuous quietness.

— Zumwalt  (06/1991)

Can’t Hide

Can’t Hide

With the last paycheck spent on camouflage,
focusing on a mindset made of mirrors,
I attempt to be an object
or better yet be none.

My clothes mimic the variegated prints of nature,
my face is painted much the same.
I stand in the wilderness far away from the Sheridan Square Stop
teaching my heart to copy the various pulses of the forest.

I once sacrificed:
my future and my past for my role in the now;
I once worshipped
fences and gates and directions pertaining to.

With each breath I inhale the cold message of shelter
holding in the truths and surface deceptions
creating a balance between conception and mirage,
accepting the difference between initiation and isolation.

Without the next paycheck
I worry what it means
to not be nothing,
to not be able to hide,
the actual point of submission to everything
being the same:
no distinction.

— Zumwalt (2011)

Congratulations, Saul Perlmutter, Brian Schmidt and Adam Riess

Three Americans Share 2011 Nobel Prize in Physics

Poems on the runaway universe:

The Runaway Universe by C.W. Johnson

Runaway Universe

The Expanding Universe

Time

And from Zumwalt:

Runiverse

(Due to a few long lines, I was challenged with properly formatting this in the original post. Below is an unformatted version, still different from the original but more aligned with the website layout, perhaps.)

Runiverse

She radiates brilliance based on fine features, good form and skillfully applied cosmetics.
He balances confidence and accessibility with an unerring certainty of success.
The universe is expanding,
Inflation rampant,
Stretching everything more than any yoga instructor would allow.

Our planet is stuck in motion at hundreds of thousands kilometers per second.
I stock up on Dramamine and Ginger Ale.

She worries that she will never see him again.
He is lost in the business of the day.
These galaxies race away from us faster than the speed of light
And are accelerating more each trillionth of a second.

Some Alien out there has calculated that this is the last week to DVR an episode of the Game of Thrones before losing all contact.
Some Star Watcher is now stuck with a static picture of this faraway galaxy from here on out.

She is not simply a set of particles: she is moving very fast.
In relation to her changing position in space, he is moving even faster.

This universe is not stable;
It strays too far from itself
Running away from a past that was too small.

This universe is accelerating
As if it has immunity from moving violations
Or has appropriately mounted a very good radar detector.

One day her particles and his
Will dance tumultuously in the debris encircling some infant sun
Or get pulled into a black hole.

She radiates,
He balances,
The universe inflates,
Stretching everything way beyond belief
And ultimately, slightly out of reach.

— Zumwalt (2011)

Admin’s Note: This is an older version of this poem, and lacks the proper line breaks — as far as I know here is the current version, revised in 2025 or 2026.

Runiverse

She radiates brilliance based on fine features,
good form and skillfully applied cosmetics.
He balances confidence and accessibility
with an unerring certainty of success.
The universe is expanding,
Inflation rampant,
Stretching everything more than any yoga instructor would
allow.

Our planet is stuck in motion
at hundreds of thousands of kilometers per second.
I stock up on Dramamine and Ginger Ale.

She worries that she will never see him again.
He is lost in the business of the day.
These galaxies race away from us faster than
the speed of light
And are accelerating more each trillionth of a second.

Some Alien out there has calculated that
this is the last week to
stream a redshifted episode of Stranger Things
before losing
all contact;
Some Star Watcher is now
stuck with a static picture
of this faraway galaxy from here
on out.

She is not simply a set of particles:
she is moving very fast.
In relation to her changing position in space,
he is moving even faster.

This universe is not stable;
It strays too far from itself,
Running away from a past that was too small.

This universe is accelerating
As if it has immunity from moving violations
Or has appropriately mounted a very good radar detector.

One day her particles and his
Will dance tumultuously in the debris encircling some
infant sun
Or get pulled into a
black hole.

She radiates,
He balances,
The universe inflates,
Stretching everything way beyond belief,
And ultimately, slightly out of reach.

seeds

seeds

broken imagery scattering pumpkin seeds upon the ground
rhythm shifting, implicating, wildly gesticulating
thoughts bounce over fading ideas which trample upon speculative reflections

give me a word
a simple single word
not an action
not a person, place or thing
not a conjunction, exclamation, article or
worn down, over-taxed modifier

give me a word that creates its own reality

that establishes an impossible set of events

that engages the energy of thoughtful scholars for ages upon ages
creating a library of discussion
and ignites an endless tangle of wars over interpretation

and with that word once given
give me its counterpart

that word
which, so totally complete
and unrelated to anything else,
will dissolve every other word

and then
without apology
dissolve itself.

— Zumwalt 2011