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Archive for the ‘Century Sunday’ Category

Century Sunday: April 1926

One hundred years ago, the end of the silent film era was approaching, and the music and culture of the Jazz Age were still in full force. Below are some notable highlights for April 1926.

One of the most historic nights of opera or concert hall music occurred on April 25, 1926. Giacomo Puccini’s final, unfinished opera, Turandot, premiered at La Scala in Milan. Puccini had died of throat cancer before completing the final act. The performance was conducted by the legendary Arturo Toscanini. When the orchestra reached the final notes Puccini had actually written (the death of the emotional focus of the opera, the young female slave Liù), Toscanini abruptly stopped the orchestra, laid down his baton, faced the audience, and announced: “Here the opera ends, because at this point the maestro died.” The curtain was lowered to complete silence.

In 1926, Jelly Roll Morton recorded “The Pearls” as a piano solo for the Brunswick label. It’s often described as one of the most intricate and carefully constructed pieces in early jazz. Morton himself said it was among the hardest jazz works ever written. In the performance, his left hand keeps a rock-solid, steady stride rhythm, while his right hand weaves in detailed and expressive melodic variations.

Fletcher Henderson’s orchestra, recording under the pseudonym The Dixie Stompers for contractual reasons, released “Static Strut” and “Dynamite.”

Century Sunday: March 1926

100 years ago this month here are some notable musical events!

First Electrical Recording of Beethoven’s 9th: On March 16–17, 1926, conductor Felix Weingartner recorded Beethoven’s Symphony No. 9 “Choral” at Columbia Studios in London. This was a massive technical and historical milestone, functioning as the first complete electrical recording of the Ninth Symphony.

Electrical Recordings continue to take the world by storm including Argentina: On March 1, 1926, the Victor company cut its first electrical recording master in Buenos Aires. Tango singer Rosita Quiroga recorded “La musa mistonga.” Interestingly, Victor kept the new technological capability quiet at first to continue selling their acoustic back catalog.


If you are resident of the United States, there is a good chance a recording of “Bye, Bye, Blackbird” was owned by one of your ancestors in the 1920s. Here is the first recording made of it:



Duke Ellington’s Washingtonians recorded Parlor Social Stomp here:

And across the pond, England was spinning their own sides of American Jazz:

King Oliver and his Dixie Syncopaters recorded “Snag It” on March 11, 1926.