Zumwalt Poems Online

Posts tagged ‘writing’

Thoughtful Thursday: Ongoing Extinctions; Darwinism in the World of Poetry Journals

More and more poetry journals are closed due to an increasing lack of demand for contemporary poetry

I have a list of over 4,000 journals that publish poetry: some do so online, some in print, some do both. As noted in last week’s Thoughtful Thursday column, I enjoy checking out both poetry blogs and poetry sites to read new work. Sometimes these poems fall short of expectations; sometimes they are well worth the effort of hunting them down.

Today, I randomly picked entry 1613 in my poetry list, a journal named Poemeleon. I knew I was in for a treat reading the description of their content: “Quirky/Humorous/Lyric” and “Playful/Lyrical work.” This sounds great, I thought. As readers of this blog know, I am a fan of Zumwalt’s poetry — which generally is more disruptive or snide than lyrical, but is often quirky, humorous, or playful. I am also a fan of Louise Glück for the lyricism, emotional depth, and overall precision of her writing. And she can also be disruptive and humorous, as in her poem Anniversary. I can say the same about Kenneth Koch — precise control, sometimes lyrical, sometimes disruptive, often playful, clever and/or humorous. Well, there are thousands, maybe tens of thousands of such poets, and I clicked on the Poemeloen link to discover some of the lesser-known such poets.

Poetry sites have to stand out and not blend in to survive.  Even so, will that be enough?

I would like to say that when I first landed on their home page, I was greeted with the above image — the image of the poemeloen, a distinctive and highly specialized clade of a large family of contemporary online journals that champion a diverse range of poetry. And to some degree I was, though it was much smaller. However, what immediately confronted me was the image of the “SORRY WE ARE CLOSED” sign at the top of this blog post.

Above that closed sign was this very small version of their logo and additional text:

Well, in truth, I was pretty undeserving of any thanks. I never supported this site, nor even visited it until today. And now, despite its ability to blend in (or maybe because of its ability to blend in) with its background, it is now another entry in a long list of defunct poetry journals. It could clearly show a range of colorful poetry, and vary what was displayed. But it was eventually overwhelmed by its changing environment: a world where many people have substituted clicking, reacting, and sometimes sharing (though can one really share what isn’t theirs?) for engaged reading.

We go to online poetry sites to be                                               dazzled by the diversity and beauty, but how long will they be able to survive a rapidly changing environment?

However, the poems are still there! And their founder’s mission is still intact: “poemeleon seeks to make visible the invisible. By placing disparate poems alongside one another, I aim to highlight not just their contrasts, but their similarities.”

For how long, though? Eventually, the domain will be unfunded, and the poems will not be so easily accessible. I say, “not so easily,” because, thankfully, we have The Internet Archive’s Wayback Machine, which has captured content from this site and its predecessor 296 times between February 23, 2007 and April 20, 2026. Compare that to our site, zumpoems.com which has been saved 217 times between November 1, 2011 and July 8, 2026, and one can feel pretty good that as long as Internet Archive’s Wayback Machine is enabled, all the poems that the site’s editors (there were multiple: https://poemeleon.me/missionandhistory) ended up selecting from the many submissions sent to them over the years will be avaible for those willing to take the extra effort to track them down.

One day, I won’t be around to fund zumpoems.com. At that point, much of Zumwalt’s work will be lost forever — except for the captures of this site in the Internet Archive. How long will that site be around? Maybe it doesn’t matter, as eventually there will be very few people who will still have the ability to read. The poems will still be around, and they can be read out loud by our AI assistants, but will those AI readers ever understand the meaning of even the simplest or most transparent poem to provide a meaningful enough reading to engage even their most receptive user?

I have no plans to stick around to find out, but if AI extends my life long enough, I guess whatever plans I do eventually make may matter very little.

Poetry sites contain the sublime and the beautiful, but that doesn't prevent their extinction.

Thoughtful Thursday

Boy, do I enjoy the act of writing! Is it about capturing thoughts in a more impermeable form than memory? Or is it about the psychological and mental benefits provided by diving deeper into one’s feelings and perspectives and articulating, whether well or poorly, those feelings and perspectives?

And I love reading. For one is exposed to another’s thoughts, feelings, and perspectives, whether it is reading an email or letter from a friend or engaging with the writing of a familiar author or a complete stranger.

I love diving into others’ WordPress blogs. All I have to do is click on the WordPress reader, and I have a selection of blogs I subscribe to or can explore blogs I have never seen before.

As a reader of poetry, I particularly enjoy exploring posts that have been tagged with “Free Verse,” “Poetry,” or “Poem.” Some are well crafted, some are wild and sprawling, but most are interesting, and many have a level of vitality that is often missing in much of the poetry in curated journals.

I could easily list a dozen WordPress poetry blogs that I enjoy visiting. Let’s just take a peek at my favorite tag: https://wordpress.com/tag/free-verse. And what do I see at the top, posted 15 minutes ago — one of my favorite blogs, Ink & rain! As I open today’s post, I first see one of those many wonderful images that appear reliably at the top of each of author Meiling Cheung‘s posts, followed by text in Chinese and English. Now I have no clue how to read Chinese, so I focus on the English column. Today’s poem is exceptional: it uses a sustained metaphor with each phase serving a specific purpose to support the author’s message. The line breaks are well handled, and the tone it sets, gentle and meditative, perfectly echoes its message. There is an overall emotional immediacy and authenticity, which further enhances the evocative and reflective nature of the work.

Besides reading WordPress poems, I visit various online poetry journals (a partial list of which is here), and so right now, let me check my email to see the latest updates.

Okay, here I have an email from Stick Figure Poetry. I click on the URL to Issue 22, and I immediately find an engaging, inventive poem: Analysis by Tim Love. And it starts off strong:

“Only opaque backings stop mirrors being windows,
and windows can be mirrors if on one side it’s bright 
as an interrogation room while the other’s in darkness.
So think of glass as your poems, and light as reason.”

Such a simple observation, but here is the vehicle for the journey this poem takes us on. No need to be bored with my commentary — just check out the poem here: https://stickfigurepoetry.com/issue-22/#analysis-love

Next, I stop at Shō Poetry Journal and discover a talented poet who has landed poems in prestigious journals like The Kenyon Review and is a winner of several prestigious prizes. Both the text of her poem and the audio are here: https://shopoetryjournal.com/xinyue-huang-occasion-1/

Here is the beginning:

“there is a hole in my chest
through which we drive our car

to the other side of the world
to see the mountains”

With the first glance of this poem, I notice a more or less generic title, no punctuation, no capitalization, regular use of stanzas, reference to a line in Chinese, “万山载雪,明月薄之,月不能光,雪皆呆白,” which I use Google Translate to give me an approximation in English, “Snow blankets the myriad peaks, and the bright moon casts its light upon them; yet the moon cannot make them shine, and the snow remains a dull, lifeless white, ” and, with the exception of the Chinese insert, the use of an accessible, straightforward vocabulary. The work effectively mixes abstractions and images, the modern and the timeless, into a beautifully evocative poem!

Then, I jump into a Wallace Stevens poem, a set of which, from his 1923 Harmonium, is conveniently provided here by The Wallace Stevens Society: https://wallacestevens.com/wp-content/uploads/2019/01/HARMONIUM-1923-WALLACE-STEVENS.pdf

I am not particularly fond of that overly common activity of ranking authors, composers, painters, etc. — each has their distinct voice (or voices) and strengths. Still, it is easy enough to make the case that America should consider itself proud to have been the birthplace and home of such a great poet as Wallace Stevens!

So I have a lot to keep me happy and engaged with a breadth of diversity and styles never available before the launch and development of the internet. Please join me in exploring blogs, poetry journals, and the works of revered poets at your own pace, taking your own individual, self-customized journeys.

Interstate Nocturne

Proud to announce that Commuter Lit has published Zumwalt’s recent poem, Interstate Nocturne:
Please visit: https://commuterlit.com/2026/02/tuesday-interstate-nocturne/!

No More Cornborers

No More Cornborers

My steel-wool scrubbed & Comet-clean spuds
grate with injurious gusto
Protect the enamel at all costs!
And a sheen is added to our distended
esophagus.
Wintry blasts of fluoride and chlorophyll
attack the waste
But only further pollute the abused
frame.
Death enters the corridors, stalking stealthily
in the Ajax-whiteness.
All is blinding! There is no more gray!
Josephine is become a slaughter-baron.
Ammonia chokes us all


—Zumwalt
[1981?]

Von Bock Was A Pansy

Von Bock Was A Pansy

Those iron plates that churned the mud and gravel
Impress me not.
The rifled bore was, and is a crashing bore,
I shut my eyes to the breechblock and
Do not care for thermite.
I recoil from venturi.
I have only cutting remarks for the bayonet;
C.B.W. stinks.
Give me Gandhi & Walden, with a little pickle
On the side, and I am content.
Blood-red waiters make me yawn.

—Zumwalt
[Early 1980s?]

Slice-of-life, Microwaved

Slice-o-life, Microwaved

Askew in a vinyl cosmos
life’s beading up on
a cold tumbler
And Juan Valdez
has repossessed my mind
for the glory of Brazil
or Colombia
Some squalid country at any rate
Leaving my 33
grooves
scarred by needles at 78
several rich hits
off of
Mrs. Olsen
And Muzak sounds
like steam jets
and
dark mutterings over eggs
become berserk natterings
of rabid chipmunks
Gee Zus !
Only 12:00?
Existence is
deformed
in a
time-warp
—Zumwalt
[Night of 30 Sep-1 Oct 1981, Washington, DC]

The human touch

Based on this recent news event: https://www.npr.org/2025/12/25/g-s1-103683/powerball-player-arkansas-won-jackpot

The human touch

On Christmas Eve, many just like me
stopped at the station where I get my gas
and bought slips of paper
as thin as my patience
waiting its reward.

A mile or so away in Cabot
I closed my own store,
shut down the register,
reminded by the radio of
the size of the jackpot
while I drove home
in my rusty 2003 Tacoma.

Maddie set out some sandwiches—
our light Christmas Eve meal;
two months of watching costs
earned tomorrow’s fortune of presents
paired with roasted prime rib.

That morning came, and our two children
visited us in bed to tug at us—
too small to pull us out
and not old enough to realize they hadn’t.

A delight of flung wrapping paper and
unchecked squeals energized our living room
as, with some guilt, I looked at my phone
to glimpse the weekly Powerball snub.

No ordinary loss:
promised paradise, this time,
came from the station where I staked my three bucks.

But this small defeat brought reassurance:
in a world of algorithms,
predictive apps, and AI advisers
that steal away jobs and raise energy prices
there was still one thing technology couldn’t do:
choose the right numbers.

JOUSTING WINDMILLS

Just published in New Verse News — Zumwalt’s new news poem, Jousting Windmills.

Click on the following URL to read poem: https://newversenews.blogspot.com/2025/12/jousting-windmills.html

I will post the text here later on, but for now, let’s drive some traffic to New Verse News!

With apologies to Emily and the DOJ

With apologies to Emily and the DOJ

Release the files but just in part —
Deception’s Pathway lies
Too raw for Headline’s hungry Spark
The whole would scandalize
As Cards dealt from some hidden Deck
With watching eyes confined
The Truth must flame out gradually
To hide the Guilt entwined —

–zumwalt (2025)

Updated Dump

News event:   “At least 15 files that were released by the Justice Department Friday were no longer available on the department’s website on Saturday.”
Reference: https://www.cbsnews.com/news/at-least-15-newly-released-epstein-files-have-disappeared-from-justice-departments-website/

Updated Dump

They loaded files on Friday night,
Though not the total lot;
The press was vexed by partial truths
But that is what we got.

On Saturday fifteen were gone —
One noticed from before:
A president in gilded frame —
A photo in a drawer.

What this all means to common folk
Escapes my simple mind
When wealth can build a mighty wall
That shields them from their crime —

And if a few are put in jail
That does us little good
For those that still control the wealth
Will raise the price of food.

The message here is pretty clear
And one that fits my rhyme  
That money spent judiciously
Protects —  
even the damnedest —
most despicable —
devils of our time.

— zumwalt (2025)