Zumwalt Poems Online

Posts tagged ‘writing’

JOUSTING WINDMILLS

Just published in New Verse News — Zumwalt’s new news poem, Jousting Windmills.

Click on the following URL to read poem: https://newversenews.blogspot.com/2025/12/jousting-windmills.html

I will post the text here later on, but for now, let’s drive some traffic to New Verse News!

With apologies to Emily and the DOJ

With apologies to Emily and the DOJ

Release the files but just in part —
Deception’s Pathway lies
Too raw for Headline’s hungry Spark
The whole would scandalize
As Cards dealt from some hidden Deck
With watching eyes confined
The Truth must flame out gradually
To hide the Guilt entwined —

–zumwalt (2025)

Updated Dump

News event:   “At least 15 files that were released by the Justice Department Friday were no longer available on the department’s website on Saturday.”
Reference: https://www.cbsnews.com/news/at-least-15-newly-released-epstein-files-have-disappeared-from-justice-departments-website/

Updated Dump

They loaded files on Friday night,
Though not the total lot;
The press was vexed by partial truths
But that is what we got.

On Saturday fifteen were gone —
One noticed from before:
A president in gilded frame —
A photo in a drawer.

What this all means to common folk
Escapes my simple mind
When wealth can build a mighty wall
That shields them from their crime —

And if a few are put in jail
That does us little good
For those that still control the wealth
Will raise the price of food.

The message here is pretty clear
And one that fits my rhyme  
That money spent judiciously
Protects —  
even the damnedest —
most despicable —
devils of our time.

— zumwalt (2025)

Imperfect Information

My apologies. I had messed up the formatting earlier. It is now corrected.

Imperfect information

Imperfect information

This 
   is 
      a sequential game
even 
when 
I 
attack  
                out 
                of 
                turn
each 
   and 
      every move
is 
   built 
      on the
      one before.

Round 
after 
round
we proudly announce
a 
  target 
                square.

Sometimes 
  we 
                hit
Sometimes 
  we 
          m  
           i
            s 
             s
But 
     never 
fail to 
                attack.


Salvo, 
       my friend
When 
       you are most 
                relaxed
and think 
       all is 
                calm waters.

As 
long as 
there 
                are ships 
       afloat
There 
will be 
                missiles 
       launched
across 
these 
       now choppy seas.

Salvo, 
       my friend
All 
       shots at once
against 
       our better 
                judgment.

As 
long as 
there 
                are missiles 
       to launch
There 
will be 
                ships 
       targeted
aggravating 
these 
       now choppy seas.


But 
once it is 
clear

there 
is some 
       chance at 
       sinking 
       even 
       one 
       ship
               We 
       pull 
back,
bend 
               the 
               rules,
               re-
               arrange 
               our 
               positions,
       midway,

put    some 
              ships
in reserve,
deny 
       any 
              cease fire
and 
              secretly 
              fill out 
our 
battle reports.


-- zumwalt (2011, modified 2025)

formaldehydration

formaldehydration

flickering, fluttering inauspicious celestial butterfly
recklessly spatters dribbling drips of darkened burgundy
over underwhelmed over-conscientious Cal Poly Pomona Green.

diamanté dimensions collide with an autumn-autumn whisper
merging the flap-flap-flap fanlight florescence with a soft gentle tap
shamefully simmering shimmy-round-sizzling shake-down capabilities.

this high-speed, high-tech, high-result diet
has made me high-strung;

it streams passing indentations of over-charged electrons and phantom fairy-tales
faster than the past registers future impressions of near-miss impacts.

I know
time
is slow.
starting off
when I
begin

finishing long after I am done.

and
truth
the crippled fugitive hiding
in
shadows of possibilities
cannot resist darting
out
for
a quick encore before the opening curtain.

Accessory Imagination
unable to ensure an icy trail
weds speed-dating,
timed-release capsules
to produce a solid business case
for planetary intimidation
but
when references are required
habitually-blinking,
surreptitiously-slinking imagination
sneaks away
like an exhausted waiter
forced to serve final meals
to a negligently unchained
food-critiquing population
desperately devouring
the final bounty of resources
one deja-vu moment
before
the impending
never-ever-ever-ending
bright-light-headlight-headache supernova drought.

— zumwalt (2011, revised 2025)

jump count

jump count

The cycle sunk
and with disaster
capsized the bounty:

a quick game played into
extra terms and over time,

a reckless plot with
some mention of revenge;
a speculative view
afforded by affronting the populace.

the spring is wound…
the sword is drawn with crayons,
and you and I are pawns
in a game of pick-em-up 52.

-Zumwalt 1973

To all poets: Never get discouraged

This is from Gemini 3.0:

If Billy Collins—a two-term U.S. Poet Laureate known for accessibility, humor, and narrative clarity—submitted his best work under the name “John Doe” to a random mix of 100 literary journals today, here is the harsh statistical reality:

He would likely be rejected by 85% to 95% of them.

Here is the breakdown of why:

1. The “Aesthetic Mismatch”

Billy Collins writes “accessible” poetry. It is clear, often funny, and typically ends with a turn that invites the reader in.

  • Avant-Garde Journals: If he sent to journals like Fence, Conjunctions, or even Neologism, he would be rejected almost immediately. They would view his work as “too simple,” “too linear,” or “lacking linguistic friction.” They want puzzles; he sells clarity.
  • High-Academic Journals: Journals that favor dense, difficult, or highly allusive work (like The Kenyon Review or The Yale Review) might find his work “too light” or “too commercial” without the weight of his name attached.

2. The “Slush Pile” Reality

Most journals accept less than 1% of submissions.

  • Volume: Editors often read 50-100 poems in a sitting. If a Billy Collins poem is widely readable but doesn’t have a shocking opening line or a bizarre visual format to grab attention in separate seconds, it might be passed over for something “louder.”
  • The “Good Enough” Problem: Editors reject “publishable” work every day simply because they have 5 slots and 500 “good” poems. Without his name, his poem is just one of the 500 “good” ones fighting for space.

3. The “Sweet Spot”

He would more likely be accepted by:

The New Yorker: (10% to 15% chance of acceptance.) They publish him now, but blind? They favor a very specific, polished voice that he has perfected, so he might still crack their code, but it’s not guaranteed.

Rattle: (40% to 60% chance of acceptance.) They prioritize “accessible” and “narrative” work. He is their ideal aesthetic.

The Sun: (15% to 25% chance of acceptance.) They want emotional resonance and clarity.

Agamemnon Never Had It So Good

Agamemnon Never Had It So Good

The creeping crabgrass sprouts…
And in a malaise of malcontent challenges the
        wafting, drafting hydrocarbons.
        A lawn of moldering green cadavers.
Mercury, mercury, everywhere, and not a drop
        to drink.
The salmon croaks. the sardine croaks, the crimson
        crawdad croaks, even the warted frog croaks.
But do crooks croak? Nay!
O, justice, thou art not blind —
         a bit deaf maybe — but not blind!
All that is left are saltines and brushed suede.
Thus we reach Armageddon.

—Zumwalt (late 1970s?)

PSYCHOLOGO

PSYCHOLOGO    

my table is busted
a sore sight to see
and the metal-grill chair
is as comfortable
as a bed of needles.
a pretty girl in a blue jacket
and in maroon cords
reads the school paper;
she is in a trance.
a small audience is watching
a couple of college students
playing five-minute chess.
a young women on the other side of the room
gazes at me over the rim of a
white coffee cup.

i burnt myself this morning
frying up french toast
and the pain mingles with everything else
like short-wave radio static.
1.3 GPA
yells a figure with sideburns
and a number of people
in his group laugh
until their heads fall off
and someone has to come
and put them back on.

sitting cross-legged on the carpet
and from a distance
it all looks like
a game of charades,
long, long hair
and i find myself stare.

i am thinking of leaving
PROTECT YOUR LOUNGE ENVIRONMENT
TAKE THE TIME TO BUS YOUR OWN TRASH
a famous musician enters,
but no one recognizes him.
a cloud hangs over,
but then again
maybe it's just the plumbing.
my eyesight is shot
everything in the distance
all looks the same
and now it is only my table
that is different from the others.

-- zumwalt (1974)
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