Zumwalt Poems Online

Archive for November 18, 2011

The Sassoon Collection: iv. Butter and Eggs

The Sassoon Collection

iv. Butter and eggs

Robust diners, deftly forking in the fat.
O no longer living triglycerides against the heedless tongue
Of buffet and banquet days, what sends them gliding through
This set of dancing teeth?

Theirs are the hungry cadences between
The enraptured chewing of hefty humans that make
Heaven in the booth while second helpings simmer;
And theirs the faintest whispers that hush the desire.

And they are as a released soul that wings its way
Out of the starlit dimness above the moon
And they are the largest beings — born
To know but this, the phantom glare of fullness.

— Zumwalt (2011)

Copyright © 2011

For the entire set, please visit: https://zumpoems.com/2012/02/29/the-sassoon-collection/

Admin’s note: In this fourth of a series of poems based on Siegfried Sassoon’s works, Zumalt leverages the common overindulgences of eating as a metaphor for modern consumerism to make the point about how consumer culture tricks the individual into mistaking material accumulation and endless appetite for a transcendent, heavenly state always out of reach — satisfaction is but an elusive phantom.

Stop the chop, chop, chop.

We
see
a tree!  A tree!
Since it’s the last one living free
We will grab it quickly for our family.
A Tree!!!

Crop the lower middle to the
Top off!
Chop!!! Chop!!!
Don’t yet Stop!
Hear the Plop!
Chop! Chop!! Chop!!! Chop!!! Chop! Chop! Chop!!!!!!!!!!!!!!!!

— Zumwalt (2011)

(see related poem https://zumpoems.com/2011/07/10/theyve-stripped-the-forest-for-babble/)

Zumwalt’s response to http://dversepoets.com/2011/11/17/form-for-all-beth-winter-hosts-staccato-form/#comment-5757  This is, in Zumwalt’s words, “a crime against this staccato form that pales in comparison to crimes against nature.”)

Admin Note: Zumwalt wrote this for another poetry blog’s prompt, and I posted it here the same day. This is a disarmingly simple yet effective eco poem that liberally employs rhymes, staccato rhythms and onomatopoeia to mock human greed and the destruction of the natural world. Note how the enjambment and overall use of rhythm emphasize the lack of constraint and discipline of those who think of nature’s bounty as items for personal decoration. Please note that the other poems created for this prompt are still accessible in the “Mister Linky” URL above. I encourage all to browse these other entries and also note how Zumwalt adheres to the rules of the prompt, while subverting their intent.

Note the shifts between rolling ternary and staccato binary groupings.

Note some of the rhythmic sculpting deployed as shown in this example: “We will grab it quickly for our family” (This rapid grouping mimics the hurried rush of grabbing the tree as well as creating a sense of displacement or disruption via displaced meter.)