Zumwalt Poems Online

Posts tagged ‘Love’

Fifty Year Friday: Love “Forever Changes”

This is an album that was pretty much ignored in November of 1967 when released on the Elektra label.  This is the third and final album of a Los Angeles based group called “Love”, though this really is mostly the work of Arthur Lee, singer/songwriter/guitarist, with a couple of songs contributed by Bryan MacLean, another member of the group, the rhythm guitarist, who provides leads vocals on compositions.

From the start, with it’s acoustic opening, there is an intimacy to the album with its well-crafted and fresh-sounding arrangements.  There are elements of the west-coast rock sound of 1967, folk-rock, and interestingly, English rock:  it shares some characteristics found in the 1967 Moody Blue’s “Days of Future Passed”, Genesis’ 1969 album “Genesis to Revelation” as well as sharing some stylistic traits with The Who and The Kinks.  That said, this is an original, very much non-derivative album that holds up well under repeated playings.

Hailed by some as one of the great masterpieces of 1967, this is an album that anyone that loves late sixties rock or loves what is often called “proto-prog” should check out, even if it doesn’t end up being one of your top 10 or even top 40 albums of 1967.

Track listing[from Wikipedia]

All tracks written by Arthur Lee, except “Alone Again Or” and “Old Man”, by Bryan MacLean.

Side one
No. Title Length
1. Alone Again Or 3:15
2. “A House Is Not a Motel” 3:25
3. “Andmoreagain” 3:15
4. “The Daily Planet” 3:25
5. “Old Man” 2:57
6. “The Red Telephone” 4:45

 

Side two
No. Title Length
1. “Maybe the People Would Be the Times or Between Clark and Hilldale” 3:30
2. “Live and Let Live” 5:24
3. “The Good Humor Man He Sees Everything Like This” 3:00
4. “Bummer in the Summer” 2:20
5. “You Set the Scene” 6:49
Total length: 42:05

Personnel

Additional musicians

  • David Angel: arranger, orchestrations
  • Strings: Robert Barene, Arnold Belnick, James Getzoff, Marshall Sosson, Darrel Terwilliger (violins); Norman Botnick (viola); Jesse Ehrlich (cello); Chuck Berghofer(string bass)
  • Horns: Bud Brisbois, Roy Caton, Ollie Mitchell (trumpets); Richard Leith (trombone)

 

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she sells sultry sunrises soulfully soaking in seaside’s sensuous sandy satin sheets

down
by the seaside
our love mimics the tide
skipping out on the evening board
you teach me how to body ride

sound
of life’s breath
as a secret’s expressed
the moon strokes
and swells the surfing waves
and seeks salted seas to direct
a final ascent
to their rock, rock, rock bottom depth

I don’t need you
I just need your love
I don’t need to have you love me
I just need you to have me love

the sand is soft
but I see the vicious stony peaks
jagged and lying in the dark

the wind is sweet
but I feel the heat of a scorching sun that has yet to rise

I just want to look in your eyes
But I can’t if they’re closed
I just want to talk on the phone
So don’t change your number

Yesterday I was wearing my Acapulco hat
and some girl who I didn’t have the nerve to talk to told me I was cute
Tonight I own the coast
and you own me

I was down
by the seaside
my love mimicked your pride
skipping out so you wouldn’t be bored
you took me for a body ride

— Zumwalt (1990)

 

 

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