Zumwalt Poems Online

Posts tagged ‘The Nice’

Fifty Year Friday: The Nice

The Nice ALVB.jpeg

The Nice: Ars Longa Vita Brevis

In November of 1968, The Nice release their second album, furthering their advance into progressive rock as initiated in their first album.

With the guitarist, David O’List, no longer part of the group (either dropped from the group or left on his own depending on whose side of the story is being represented), The Nice auditioned replacement guitarists, including Steve Howe.  Evidently this would have worked out, except for Howe having second thoughts a week later.  And so, the band moved on without a replacement guitarist, with a line up more like a traditional piano jazz trio (piano, bass and drums), then a rock group, providing the blueprint for the keyboard-dominated progressive rock group (with occasional augmentation by orchestra as in the case with this second Nice album.)

The first track, “Daddy, Where Did I Come From”,  seems like a throwaway novelty number, but much like the ensuing second and third tracks, has a distinct charm and quirkiness that elevates it above the commonplace. Note the peppy piano intro by Keith Emerson as well as the brief baroque-like organ passage, the ensuing unbridled electric organ accompaniment, and the spoken dialogue as the dad.

The second track, “Little Arabella” includes vocals from Keith Emerson at around the 1:37 mark. The third track, the fanfare-like”Happy Freuds”, has Keith on lead vocals and though mostly a simple upbeat pop number, has both charm and substance.

Keith Emerson’s dominance continues with the keyboard-dominated realization of Sibelius’s Intermezzo from the Karelia Suite.  The main theme works better in its original version, but Emerson’s improvisation and development of the theme — and short detour from the theme — provide the essence of this interpretation.

The title track takes up the length of the second side, including orchestra backup — at least at points.  It is not so much a coherent whole as a stitchwork that includes a dramatic Keith Emerson prelude orchestrated by Robert Stewart, a four minute drum solo, the main “Ars Longa Vita Brevis” theme with Jackson on vocals,  followed by a jazzy instrumental diversion, a third section with an Emerson intro that dives into the first movement of Bach’s Brandenburg, pitting Emerson’s more excursive inclinations against the orchestra’s more faithful script,  followed by a restatement of the “Ars Longa Vita Brevis” theme with more jazz-like trio work and the prelude material serving as a coda.

All in all a pretty good album that delivers quality, variety and some impressive trio passages.

Track listing [From Wikipedia]

All songs written by Keith Emerson and Lee Jackson, except where noted.

Side one

  1. “Daddy, Where Did I Come From” – 3:44
  2. “Little Arabella” – 4:18
  3. “Happy Freuds” – 3:25
  4. “Intermezzo from the Karelia Suite” (Sibelius) – 8:57
  5. “Don Edito el Gruva” (Emerson, Jackson, Brian Davison) – 0:13

Side two

  1. “Ars Longa Vita Brevis” – 19:20
  • “Prelude” (Emerson) – 1:49
  • “1st Movement – Awakening” (Davison) – 4:01
  • “2nd Movement – Realisation” (Jackson, David O’List, Emerson) – 4:54
  • “3rd Movement – Acceptance “Brandenburger”” (J.S.Bach, Davison, Emerson, Jackson) – 4:23
  • “4th Movement – Denial” (Davison, Emerson, Jackson) – 3:23
  • “Coda – Extension to the Big Note” (Emerson) – 0:46
The Nice

 

Advertisements

Fifty Year Friday: The Nice “The Thoughts of Emerlist Davjack”

Recorded around October 1967 and released sometime in 1968 between January and March (as best as I can determine), this aggressively adventurous album effectively fuses elements of psychedelia, acid rock, jazz and classical music, establishing this in many progressive rock fans’ mind as one of the first true progressive rock albums.

The first track, “Flower King of Flies” is not inherently different than early Pink Floyd, except perhaps for the level of unbridled energy present, and the second song, the title track, is basically a bubbly, upbeat pop tune, performed , once again with unusual energy and a high level of musicianship.  The third track, though, borders on the harder edged rock often provided by the early blues-based metal bands; there is rugged guitar work and precise, yet perfectly spontaneously-sounding, organ work from Keith Emerson.

It isn’t until the fourth track, a 4/4 arrangement of Dave Brubeck’s mostly 9/8 “Blue Rondo à La Turk”, dominated by the acid-rock, B3 Hammond organ work that is the centerpiece of this instrumental, that the album falls more into the progressive rock realm. Included are glissandos, a J.S. Bach toccata reference , controlled distortion, and a climatic building towards the recap (the Brubeck Rondo theme), which frenziedly finishes the last ninety seconds, maintaining a perpetual, inexhaustible torrent of energy.

“War and Peace” opens up the second side with a level of focus and direction more typical in straight-ahead jazz than expected of a sixties’ rock group. With the exception of Jimi Hendrix and, perhaps, Cream, this is the closest that anyone gets to the soon-to-be-prevalent heavy metal sound in a 1967 recording, notwithstanding a quote of a Bach Brandenburg concerto.

“Tantalizing Maggie” continues along the hard-rock, nearly heavy-metal frame of mind, with a modulating, exploratory, instrumental, B section that gives way to a modified recap of the A section with classical references that finish the piece.

“Dawn” straddles the line between an avant-garde concert piece and sixties psychedelia,  with sprinkled fragments closer to free jazz and baroque classical than to rock music.

The last track, “The Cry of Eugene”, is a beautiful ballad laced with elements of both psychedelic rock and the concert hall providing a suitable close to a varied, interesting, and well-executed album.  Emerson may be the standout here, but Jackson, O’List, and Davison all contribute significantly with energy and passion.

CD versions of the original LP include additional material with some releases including alternative versions of tracks as well as Nice’s rendition of Leonard Bernstein’s America, an essential for progressive rock lovers.

LP Track listing [from Wikipedia]

Side one

  1. “Flower King of Flies” (Keith EmersonLee Jackson) – 3:19
  2. “The Thoughts of Emerlist Davjack” (Emerson, David O’List) – 2:49
  3. “Bonnie K” (Jackson, O’List) – 3:24
  4. “Rondo” (Dave Brubeck, Emerson, O’List, Brian Davison, Jackson) – 8:22

Side two

  1. “War and Peace” (Emerson, O’List, Davison, Jackson) – 5:13
  2. “Tantalising Maggie” (Emerson, Jackson) – 4:35
  3. “Dawn” (Davison, Emerson, Jackson) – 5:17
  4. “The Cry of Eugene” (Emerson, Jackson, O’List) – 4:36

Personnel

emerson_3593551k1

%d bloggers like this: