Zumwalt Poems Online

Posts tagged ‘Poem’

Full Circle (A rumination in 3 strokes)

Full Circle
(A rumination in 3 strokes)


Stroke the First – Dante’s Laugh

Another cycle eats its tail
	While you’ve killed time
	Hacking through a Frisco fog
And now you’re hit
	Like a mole in headlights
	Squinting
		At the fact
		A circle is endless
Welcome to Limbo
	That flag’s still out there
	Snapping, flapping
		And the crowd’s sweaty
Joke’s on you
Dante chuckles
	As you strap on your spikes
Man – Don’t you know?
	Gotta be hip
	To run with the damned.



Stroke the Second –Odyssean Oddity

In overdrive
Wheels greased
You’re GORGED
On road
But that ribbon is still stretched to the horizon
	A long licorice lane
	Tugged tenuous to…where?
Dream of flight
	(if you please)
Call it a runway
Call you a cab
They’re just
	Distorted digressions
	By a lightheaded cyclist
	Sailing through a sapped psyche
So split-S
And barrel roll
Down the desolate wind tunnel
Of the vortex of your cortex
You’ll soon discover
A midget aviator can still get wind-sheared
	Fast as you can shout mayday.
When the whitecoats eavesdrop
On your black box
	They’ll start
	To find
You never left the ground.



Stroke the Third – This one’s for you

So—
	Thought you’d spend Eternity
	(Well, maybe just a slice, thanks)
In a beer ad
Grabbing gusto
Well –
	You sucked
	Untold sudsy shadows down
Got your PR buzz
Time to check your itinerary
	When you do
	You’ll spot your spot
On a Mobius strip
Crazy coordinates on a hellish helix
	With nowhere to go
	And no way home
Not to worry
Once more around and
Once you grab that brass ring
You will realize
	It’s mostly air.

— Zumwalt (D.C. ca. 1982)

Example Response For Poetry Challenge #8

Response to Poetry Challenge #8.

This can be done as a page or a post.  Doing this as a post.

Journal for Poetry Challenge #8

WEEK 1: Jan, 2, 2012

Pretty Little Scars by Vampire Weather

I like a strong message but am especially pleased when the mastery of handling words is directed at supporting that message.  This poem does this particularly well!  In addition, this poem allows for enough interpretation to remain interesting and worth re-reading and mixes and contrasts the wanted with the unwanted and rejoices at the result.

WEEK 2: Jan, 11, 2012

Flies by Ben Naga

We all wander about in life somewhat myopically, but some people’s short-sightedness is often at its worst in a relationship: squeezing out promises of freedom from the imprisonment of others.  Ben Naga doesn’t hit us over the head with this message but captures it simply and effectively like a black and white photograph of two flies on opposite sides of a glass pane.

WEEK 3: Jan, 17, 2012

Jacaranda by Poetry & Icecream

Unlike a short story, a poem can exist quite nicely, thank-you, without conflict — relying on beauty alone — just like a flower in bloom — it’s great to see that flower all by itself, I don’t need to see a deer eating away the leaves for the scene to be of interest.

But beauty in poetry is not necessarily effortless.  Often times there is very controlled use of components within a form.

In this case the meter and rhyme work perfectly together.  The meter supports the meaning.  The first two lines are iambs but the third breaks away with “bright” being strong  and foreshadows the next deviation in the third line of the second stanza — “fantasies drifting away”.  Yes, this would still be a nice poem if each line was iambic, but it becomes special as the meter is harnessed to highlight the highlights and emphasize the meaning. The last line is iambic and musical (“upon a sprinkled spread”) which puts the previous line in context against the prevailing iambic rhythm. 

This craftsmanship is not haphazard. Even when a poet is so talented that they do this as second nature, just as a jazz musician improvises great melodic lines that align and contrast with the foundational harmonies, this ability and skill is based on reading lots of poetry and writing lots of poetry. There are no shortcuts to excellence!

The Sassoon Collection: viii. Middle Age

The Sassoon Collection

viii. Middle Age

I heard a creak, and a groan
And felt a twinge of wooden pain
A man running in a crowd
Deep in its shadow he moved.
‘Ugly work!’ thought I,
Gasping for breath.
‘Time must be cruel and proud,
‘Tearing down this body.’

With gutsy glimmering shone
my dignity as the wind grew colder.
This aging man jogs over the hill,
Bent to make the grade
‘There is no gain without further pain’…
Sluggishly passing the trees.
Aches in the joints were shrill,
As unmeasured steps sank into the hard asphalt.

— Zumwalt (2011)

Copyright © 2011

Message to Ida Straus

Message to Ida Straus

Don’t ask me where —
send her this message
and do more than that:
get a reply.

What happens after the wave takes you off the deck chair
and the water floods your senses
freezing your skin, bones
filling up your lungs
topping them off for the long journey?

Where do you go?

How do you go?

What unexpected toll roads demand offerings?

Must you give?
Do you give?
And if so, what?

Are you totally passive as
you are guided (or perhaps coerced, kidnapped?) and taken far away

Or is there
far,
close,
up,
down,
across
or even left and right spin?

Does space and time collapse, dissipate, solidify
or
are they a porthole,
barrier or,
maybe along with energy,
exposed outright as some new media hoax?

Tell me Ida.
Please.

Are you in heaven?
Are you suffering for your sins or another’s?
Have you seen an afterlife, a next life — maybe two or three?

If so, is it on Earth — or in a mildly warm pool under the frozen surface
of one of those strange moons of Saturn?

Do you have two legs, seven or sixty-four?

Do you live in our universe?
Or maybe another one?
One that expanded a trillionth of one percent faster
or a billionth of one percent slower
or that has rules so different that I must allow that
getting a message to you is harder than getting one to Garcia?

Take that immediately to her
and get a reply.
Don’t ask for overtime,
guidance
or extension of in-network physician coverage.

Anything you need —
just build, figure out, make happen —
but get results

and when you come back,
all that you have learned
is the property of your employer.

And in return
you will be in line for promotion
or, depending on the whim of others, mentoring someone else.

– – Zumwalt (2011)

Copyright © 2011

The Sassoon Collection: vi. The imperfect cook

The Sassoon Collection

vi. The imperfect cook

I never ordered something to be perfect,
Though often I’ve asked for fiery spicy or without sugar as a small invasion
Of mastering cooking.

I never asked that your dishes
Might stand, unburnt, moist and savory
Pointing the way toward gastronomical peaks like a sign-post.

Oh yes, I know the way to the heart is easy.
We found the little menu of our passion
That all can share who walk the road of gourmands.
In wild and succulent feasting we stumbled;
And sweet, sour, bitter, salty and spicy senses.

But I’ve grown sated now. And you have lost
Your early-morning freshness of surprise
At creating new dishes.  You’ve learned to fear
The gloomy, stricken places in my stomach
And the occasional indigestion that haunts me later.

You made me fat; and I can still return
for seconds, the haven of my lonely pride:
But I am sworn to partake of variety
the blossom from invention and disparate exploration
And there shall be no follow-up in a failure;
Since, if we ate like beasts, the plates are clean
And I’ll not redirect portions of portions to pets under the table.

You dream endless assemblies of culinary masterpieces
Yet, in my heart, I dread average results
But, should you grow to hate my critiques, I would ask
No mercy from your feelings. I’d have you turn from the stove
And look me in the eyes, and laugh, and suggest take-out.

Then I should know, at least, that taste prevailed
Though flavor had died of wounds. And you could leave me
unfamished in an atmosphere of ongoing appetite.

— Zumwalt (2011)

Copyright © 2011

Better Than

Better than

The land and water is haunted with beasts.
Some are carnivorous;
Some are microscopic;
None are smart like us
or entitled to dine at a good restaurant.

They think, we think, but differently.
None speak Mandarin or Cape York Pidgin English.
They have offspring and some care for their young,
Some eat their young,
But not a one makes contributions to a college fund.

I can wear them as hats, or mount them on my wall
But I can’t suffer this idea that they deserve representation in Congress.
I can grill them on coals, or tie them to my sled
But I won’t consider giving them my email address.

Evolution is a dusty and poorly mapped path
Nonetheless, it does not cross upon itself
And head back many miles
So that one easily confuses the end with its beginning.

It doesn’t jump from amoebas to mudfish and then back down to insects
then jump up to chimpanzees, over to worms and across to chihuahuas.

It progresses steadily, more or less,
from moss to shrimp to clown fish
to red-legged frog to crocodile
and then on to penguin or duck,
next visiting the platypus,
on to rabbits and rats
and terriers and tigers,
or lemurs and monkeys
and gibbons, gorillas,
bonobos, and our friends next door,
the Millers.

At the top are we,
and granted certain privilege and priority.
We can extend our parking lots
and re-engineer the best sun-bathing spots.

At the peak are we
with our rhubarb pie and peach-ginger iced tea.
We have power of attorney to set fires to ancient trees
and reclaim land from the South China Sea.

The air and ocean is haunted with creatures.
Some are carnivorous;
Some are microscopic;
None should have free trespass without our permission.

We should put up security gates
And start up detailed dossiers.
Every genus should have a dedicated database;
Every species captured in a redundant set of disk arrays.

They may think that we think they are not much different than we
But none speak Mandarin, Hindi, Hungarian or Burmese.
They have offspring so that their lineage continues on
But that’s up to us and little to do with them.

We may not hang on.
We are a destructive bunch
With a vicious knock-out punch.

We may not survive the dawn,
but if we do manage to last
and hold on as the entitled upper class
they need to take note
most carefully
that we not only own all we buy, lease or see
but in the end,
we can certainly ensure
that none of them,
aggressively,
or at their leisure,
pass us
on any given branch
of the post-Darwinian,
well-groomed,
often pruned,
evolutionary
tree.

— Zumwalt (2011)

Copyright © 2011

(Reposted by request of Monica)

Imperfect information

Imperfect information

You 
    and I 
          face off
with 
    battleships 
          on 
                   secret 
                   squares
                   sequentially 
taking 
    pot 
    shots 
         wherever we 
                             choose.

A 
    thin board    
                   separates 
our 
       lines    

of                 sight
A 
   thick
   carpet, 
   underneath.

This 
   is 
      a sequential game
even 
when 
I 
attack  
                out 
                of 
                turn
each 
   and 
      every move
is 
   built 
      on the
      one before.

Round 
after 
round
we proudly announce
a 
  target 
                square.

Sometimes 
  we 
                hit
Sometimes 
  we 
          m  
           i
            s 
             s
But 
     never 
fail to 
                attack.

Salvo, 
       my friend
When 
       you are most 
                relaxed
and think 
       all is 
                calm waters.

As 
long as 
there 
                are ships 
       afloat
There 
will be 
                missiles 
       launched
across 
these 
       now choppy seas.

Salvo, 
       my friend
All 
       shots at once
against 
       our better 
                judgment.

As 
long as 
there 
                are missiles 
       to launch
There 
will be 
                ships 
       targeted
aggravating 
these 
       now choppy seas.

But 
once it is 
clear

there 
is some 
       chance at 
       sinking 
       even 
       one 
       ship
               We 
       pull 
back,
bend 
               the 
               rules,
               re-
               arrange 
               our 
               positions,
       midway,

put    some 
              ships
in reserve,
deny 
       any 
              cease fire
and 
              secretly 
              fill out 
our 
battle reports.

-zumwalt (2011)

In contest with a hippopotamus

In contest with a hippopotamus

me and the hippo
race
to lose weight
at such a frantic yet erratic pace

me and the fruit fly vie
to try to not age
to postpone the next stage
to delay each and every turn of every single page

Hey babe! What? I’m staying away from the eggs.
And the butter.
So don’t stay away from me.

Hey boy! Look — I am not old.
I expect to send tingles down your spine,
not receive a courteous nod like you’d give to your great-grandmother
several years after she’s been buried.

Gee.

This dog I have smells.
No bath rids the odor.
No change of diet freshens the breath.
The only remaining option is to the change the dog
for I am getting tired of changing the carpet.

me and the sunset
will meet again
at some appointed time
until then I compete against the shadow it causes the body to cast
seeking any remaining light while vanishing in the darkness

— Zumwalt (May 1991)

Reposted for dVerse challenge: http://dversepoets.com/2011/11/19/poetics-changes/

The Sassoon Collection: iv. Butter and Eggs

The Sassoon Collection

iv. Butter and eggs

Robust diners, deftly forking in the fat.
O no longer living triglycerides against the heedless tongue
Of buffet and banquet days, what sends them gliding through
This set of dancing teeth?

Theirs are the hungry cadences between
The enraptured chewing of hefty humans that make
Heaven in the booth while second helpings simmer;
And theirs the faintest whispers that hush the desire.

And they are as a released soul that wings its way
Out of the starlit dimness above the moon
And they are the largest beings — born
To know but this, the phantom glare of fullness.

— Zumwalt (2011)

Copyright © 2011

Stop the chop, chop, chop.

We
see
a tree!  A tree!
Since it’s the last one living free
We will grab it quickly for our family.
A Tree!!!

Crop the lower middle to the
Top off!
Chop!!! Chop!!!
Don’t yet Stop!
Hear the Plop!
Chop! Chop!! Chop!!! Chop!!! Chop! Chop! Chop!!!!!!!!!!!!!!!!

— Zumwalt (2011)

(see related poem https://zumpoems.com/2011/07/10/theyve-stripped-the-forest-for-babble/)

Zumwalt’s response to http://dversepoets.com/2011/11/17/form-for-all-beth-winter-hosts-staccato-form/#comment-5757  This is, in Zumwalt’s words, “a crime against this staccato form that pales in comparison to crimes against nature.”)