Nico: The Marble Index
Quite a contrast to her first album, The Marble Index is a true art-rock album, sounding more like a collection of twentieth century classical leider than a follow-up to her relatively accessible first album. Her intonation and singing is also better as she navigates nicely against her harmonium accompaniment and John Cale’s detailed arrangements.
Track listing [From discogs.org]
All tracks written by Nico.
|Lawns Of Dawns||
|No One Is There||
|Facing The Wind||
|Julius Caesar (Memento Hodie)||
|Evening Of Light||
Frank Zappa & The Mothers of Invention: Cruising With Ruben & The Jets
I heard this album in the summer of 1969, and honestly didn’t know what to make of it: was it a satire of fifties music or an homage? I had several 45 singles from the late fifties that I received as gifts from my grandfather whose worked at Firestone Tire and Rubber Company, a forty acre complex in South Gate, California. I don’t know how he got all these free 45s, but figured it had something to do with his work at Firestone; many were marked as “Promotional” or “Promo”, and these various 45s, on a wide array of different record labels, provided me with an rudimentary education of fifties hits (and I believe misses, for most of this music I have never heard again since I listened to it as a child) that I am thankful for today.
So listening to this Cruising With Ruben & The Jets album for the first time at my cousin’s shared college-vicinity apartment in Sonoma County, having taken in the earlier Zappa albums there, this was a very confusing contrast to their other material.
Listening to it again, for the first time in forty-nine years, and fifty years after its initial release on November 2, 1969, I better appreciate the songwriting and solid musicianship.
And I am not so puzzled, I think.
This concept album about a fictitious band from Chino, California that eschews the modern rock of 1968 to play fifties music is both a tribute to fifties music and a satire of fifties music. This well-balanced mixture of reverence and parody is not a characteristic of all satires. Some satirical representations or portrayals are just totally fine with mocking, ridiculing, and belittling, and the worst examples do so with little regard towards faithfulness or accuracy. But it seems the best satirical music, from PDQ Bach to The Ruttles to Cruising With Ruben and the Jets, are works of love, celebrating the artistic strengths as well as the individual idiosyncrasies of their target and touching our hearts as well as bringing a smile to our faces.
Track listing [From Wikipedia]
All tracks written by Frank Zappa except as noted.
|2.||“Love of My Life”||3:10|
|3.||“How Could I Be Such a Fool”||3:35|
|4.||“Deseri”||Collins, Paul Buff||2:07|
|5.||“I’m Not Satisfied”||4:03|
|6.||“Jelly Roll Gum Drop”||2:20|
|8.||“Later That Night”||3:06|
|9.||“You Didn’t Try to Call Me”||3:57|
|10.||“Fountain of Love”||Zappa, Collins||3:01|
|11.||“No. No. No.”||2:29|
|12.||“Any Way the Wind Blows”||2:58|
|13.||“Stuff Up the Cracks“||4:35|
- Ray Collins – lead vocals
- Frank Zappa – low grumbles, oo-wah and lead guitar (also drums, piano, bass)
- Roy Estrada – high weazlings, dwaedy-doop & electric bass
- Jimmy Carl Black and/or Arthur Dyer Tripp III – lewd pulsating rhythm
- Ian Underwood or Don Preston – redundant piano triplets
- Motorhead Sherwood – baritone sax & tambourine
- Bunk Gardner and Ian Underwood – tenor and alto saxs
- Producer: Frank Zappa
- Engineer: Dick Kunc
- Cover Art: Cal Schenkel
- Cover Design: Cal Schenkel
- Artwork: Cal Schenkel