My steel-wool scrubbed & Comet-clean spuds grate with injurious gusto Protect the enamel at all costs! And a sheen is added to our distended esophagus. Wintry blasts of fluoride and chlorophyll attack the waste But only further pollute the abused frame. Death enters the corridors, stalking stealthily in the Ajax-whiteness. All is blinding! There is no more gray! Josephine is become a slaughter-baron. Ammonia chokes us all
Those iron plates that churned the mud and gravel Impress me not. The rifled bore was, and is a crashing bore, I shut my eyes to the breechblock and Do not care for thermite. I recoil from venturi. I have only cutting remarks for the bayonet; C.B.W. stinks. Give me Gandhi & Walden, with a little pickle On the side, and I am content. Blood-red waiters make me yawn.
My country with the hair of inlaid fiber-optic cable With the thoughts of a backed up four-lane freeway at dusk With the waist of a redwood in the center of a scenic bypass My country with the lips of blinking Christmas lights With lips of teabags of silt from the Great Lakes With the teeth of a picket fence on a shifting, slumping shoreline With the tongue of a ticker tape parade on celluloid stock My country with the tongue of a televised courtroom With the tongue of a satellite that spies in dark silence With the tongue of a cracked bell that just rings and rings on command With the eyelashes of high-tension wires With brows of the edge of a sold-out stadium My country with the brow of a blue light under the sheets And of the steam rising from an executive sauna fifty stories high My country with shoulders of interstate concrete And of a hydroelectric dam holding back the stars My country with fingers of a ballot box—contested, sticky, messy Of a strewn deck of plastic cards My country with armpits of coal dust and scented bubble tea Of suburban sprawl and the nest of a bald eagle in a cell tower With arms of Mississippi tributaries and of a thousand assembly lines And of a mingling of the cornfield and ambushed migrant workers My country with legs of elusive wildfires With the movements of a swing state and a jazz festival My country with calves of sequoia bark My country with feet of broken treaties and numbered amendments With feet of subway tracks and tourists flicking coins into canyons My country with a neck of unharvested wheat My country with a throat of pulsing fiber and high-powered cooling fans Of a protest stage-shrieking in the bed of a dry river With breasts of the Appalachian night My country with breasts of a multi-story shopping mall Of a ghost town shadowed by the noonday sun My country with the belly of a thumb-scrolled digital map With a back of an abandoned silver screen My country with the back of a cruise ship climbing into the stratosphere With a nape of red clay and cooling asphalt And of the threads of a smudged napkin on a diner counter at 3:00 AM My country with hips of a barreling NextGen Acela With hips of a county rodeo and of Friday night tossed penalty flags Of a pendulum swinging between fairground stand food and Michelin starred dining My country with buttocks of Civil War reenactments Of a buttocks of uncirculated library books Of a buffalo nickel gifted to a grandchild My country with the loins of an offshore drill and of grocery store pharmacy Of prairie grass and vintage baseball cards My country with loins of theme park hydraulic launch coasters My country with ears full of rotating sirens Of ears of the Great Prairies and fast food in the car Of eyes of parabolic, steerable radio telescopes My country with eyes of a flatscreen TV left on at night With eyes of a forest gasping for breath…
The eyes of my country turned toward we, the people Hands held out for an answer, cuffed and arrested for expediency.
Askew in a vinyl cosmos life’s beading up on a cold tumbler And Juan Valdez has repossessed my mind for the glory of Brazil or Colombia Some squalid country at any rate Leaving my 33 grooves scarred by needles at 78 several rich hits off of Mrs. Olsen And Muzak sounds like steam jets and dark mutterings over eggs become berserk natterings of rabid chipmunks Gee Zus ! Only 12:00? Existence is deformed in a time-warp —Zumwalt [Night of 30 Sep-1 Oct 1981, Washington, DC]
Release the files but just in part — Deception’s Pathway lies Too raw for Headline’s hungry Spark The whole would scandalize As Cards dealt from some hidden Deck With watching eyes confined The Truth must flame out gradually To hide the Guilt entwined —
They loaded files on Friday night, Though not the total lot; The press was vexed by partial truths But that is what we got.
On Saturday fifteen were gone — One noticed from before: A president in gilded frame — A photo in a drawer.
What this all means to common folk Escapes my simple mind When wealth can build a mighty wall That shields them from their crime —
And if a few are put in jail That does us little good For those that still control the wealth Will raise the price of food.
The message here is pretty clear And one that fits my rhyme That money spent judiciously Protects — even the damnedest — most despicable — devils of our time.
This
is
a sequential game
even
when
I
attack
out
of
turn
each
and
every move
is
built
on the
one before.
Round
after
round
we proudly announce
a
target
square.
Sometimes
we
hit
Sometimes
we
m
i
s
s
But
never
fail to
attack.
Salvo,
my friend
When
you are most
relaxed
and think
all is
calm waters.
As
long as
there
are ships
afloat
There
will be
missiles
launched
across
these
now choppy seas.
Salvo,
my friend
All
shots at once
against
our better
judgment.
As
long as
there
are missiles
to launch
There
will be
ships
targeted
aggravating
these
now choppy seas.
But
once it is
clear
there
is some
chance at
sinking
even
one
ship
We
pull
back,
bend
the
rules,
re-
arrange
our
positions,
midway,
put some
ships
in reserve,
deny
any
cease fire
and
secretly
fill out
our
battle reports.
-- zumwalt (2011, modified 2025)
flickering, fluttering inauspicious celestial butterfly recklessly spatters dribbling drips of darkened burgundy over underwhelmed over-conscientious Cal Poly Pomona Green.
diamanté dimensions collide with an autumn-autumn whisper merging the flap-flap-flap fanlight florescence with a soft gentle tap shamefully simmering shimmy-round-sizzling shake-down capabilities.
this high-speed, high-tech, high-result diet has made me high-strung;
it streams passing indentations of over-charged electrons and phantom fairy-tales faster than the past registers future impressions of near-miss impacts.
I know time is slow. starting off when I begin
finishing long after I am done.
and truth the crippled fugitive hiding in shadows of possibilities cannot resist darting out for a quick encore before the opening curtain.
Accessory Imagination unable to ensure an icy trail weds speed-dating, timed-release capsules to produce a solid business case for planetary intimidation but when references are required habitually-blinking, surreptitiously-slinking imagination sneaks away like an exhausted waiter forced to serve final meals to a negligently unchained food-critiquing population desperately devouring the final bounty of resources one deja-vu moment before the impending never-ever-ever-ending bright-light-headlight-headache supernova drought.