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Posts tagged ‘Prokofiev’

Seventy Year Saturday: 1948

 

1948 mar 3 deuces

Bebop continues to flourish with live concerts and recordings featuring Charlie Parker, Thelonious Monk and the up and coming Miles Davis. Imagine being able to go back in time to see Charlie Parker, Miles Davis, and Max Roach at the Three Deuces!

Coleman Hawkins continues his legacy, releasing his classic solo saxophone single, “Picasso”, almost as an important musical statement as his more famous swing-era masterpiece. “Body and Soul.”   Are there any other swing giants that were able to  make the transition into Bebop as successfully as the Hawk?  Musically successfully that is, since unfortunately, great artists like Coleman Hawkins received very little financial reward in 1948.

Serge Prokofiev, out of favor with the Soviet cultural authorities, premieres his final opera, The Story of a Real Person on December 3, 1948 at the Kirov Theater, Leningrad (now thankfully called Saint Petersburg again).  Given an unfavorable reception from the “authorities,” further performances were forbidden to the general public until after Prokofiev’s death, The Story of a Real Person not being performed again until October 1960 at the Bolshoi Theater, Moscow.

Oliver Messiaen’s completes his Turangalîla-Symphonie, a large scale orchestra work commissioned by Serge Koussevitzky for the Boston Symphony Orchestra and later premiered in December 1949 with Leonard Bernstein conducting.

Arnold Schoenberg at the age of seventy-five composes his cantata, A Survivor from Warsaw, written in tribute to the Holocaust victims. Richard Strauss at the age of eighty-four composes his “Four Last Songs” for soprano and orchestra.

Hans Werner Henze and Witold Lutoslawski finish their first symphonies, while Walter Piston completes his third, Brian Havergal composes his seventh, and Nikolai Myaskovsky wraps up his first twenty-sixth, his Symphony on Russian Themes.

Samuel Barber composes Knoxville: Summer of 1915, John Cage his Suite for Toy Piano, Howard Hanson his Piano Concerto, Dmitri Kabalevsky his Violin Concerto, Eduard Tubin his Double Bass Concerto, and famous film composer, later to write the scores to the first two Godfather movies, Nino Rota, takes a break from movie music to compose his String Quartet.

Cole Porter’s Kiss Me, Kate Broadway production opened on December 30, 1948 at the New Century Theatre and ran for 1077 performances,

On the extreme, commercial pop-side of music, Kay Kyser with Gloria Wood on vocals score a major hit with a song embedded in my childhood memories, “The Woody Woodpecker Song.”  If only the worst pop songs of today, were this good….

 

 

 

 

Fifty Year Friday: Marta Argerich and Carlos Paredes

argerich-cover-zoom

This 1967 recording contains two of the most popular Twentieth Century piano concertos, full of energy from one of the brightest classical music stars of the 1960’s, the twenty-six year old Argentine, Marta Argerich.  An impressive pianist since her early teens, winning both the Geneva International Music Competition and the Ferruccio Busoni International Competition at the age of 18 within three weeks of each other, Marta teams up with conductor Claudio Abbado and the Berlin Philharmonic to provide a stunning, wild-ride performance of Prokofiev’s Third Piano Concerto.  This LP also contains the Ravel G Major Piano Concerto, a work influenced by George Gershwin and the jazz music of the 1920s.  What sounds like an inspired, spontaneous work, was a work of intense labor and craftsmanship. Writing music”, noted Ravel, “is seventy-five percent an intellectual activity.”

TRACKS
Serge Prokofieff (1891-1953) Piano Concerto No. 3 in C Major, Op. 26

1. Andante – Allegro

2. Theme and Variations

3. Allegro ma non troppo

Maurice Ravel (1875-1937) Piano Concerto in G Major

1. Allegramente

2. Adagio assai

3. Presto

 

This is Carlos Paredes first album, yet is is an unquestionable masterpiece.  Paredes plays an instrument called the Portuguese guitar, a twelve steel-stringed instrument, popularly used in Fado music (Portuguese folk music) known for its expressive and often wistful qualities.  In this album we are treated to both Paredes’ amazing virtuosity as well as his gift for serious composition.  Each work displays an individual character and identity and invites repeated listenings. If you don’t usually sample the youtube videos sometimes provided, its worth making an exception here:

Tracks for “Guitarra portuguesa”

Variações em Ré maior
Porto Santo
Fantasia
Melodia N.2
Dança
Canção verdes anos
Divertimento
Romance N.1
Romance N.2
Pantomima
Melodia N.1

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