Zumwalt Poems Online

Posts tagged ‘Free Verse’

formaldehydration

formaldehydration

flickering, fluttering inauspicious celestial butterfly
recklessly spatters dribbling drips of darkened burgundy
over underwhelmed over-conscientious Cal Poly Pomona Green.

diamanté dimensions collide with an autumn-autumn whisper
merging the flap-flap-flap fanlight florescence with a soft gentle tap
shamefully simmering shimmy-round-sizzling shake-down capabilities.

this high-speed, high-tech, high-result diet
has made me high-strung;

it streams passing indentations of over-charged electrons and phantom fairy-tales
faster than the past registers future impressions of near-miss impacts.

I know
time
is slow.
starting off
when I
begin

finishing long after I am done.

and
truth
the crippled fugitive hiding
in
shadows of possibilities
cannot resist darting
out
for
a quick encore before the opening curtain.

Accessory Imagination
unable to ensure an icy trail
weds speed-dating,
timed-release capsules
to produce a solid business case
for planetary intimidation
but
when references are required
habitually-blinking,
surreptitiously-slinking imagination
sneaks away
like an exhausted waiter
forced to serve final meals
to a negligently unchained
food-critiquing population
desperately devouring
the final bounty of resources
one deja-vu moment
before
the impending
never-ever-ever-ending
bright-light-headlight-headache supernova drought.

— zumwalt (2011, revised 2025)

jump count

jump count

The cycle sunk
and with disaster
capsized the bounty:

a quick game played into
extra terms and over time,

a reckless plot with
some mention of revenge;
a speculative view
afforded by affronting the populace.

the spring is wound…
the sword is drawn with crayons,
and you and I are pawns
in a game of pick-em-up 52.

-Zumwalt 1973

To all poets: Never get discouraged

This is from Gemini 3.0:

If Billy Collins—a two-term U.S. Poet Laureate known for accessibility, humor, and narrative clarity—submitted his best work under the name “John Doe” to a random mix of 100 literary journals today, here is the harsh statistical reality:

He would likely be rejected by 85% to 95% of them.

Here is the breakdown of why:

1. The “Aesthetic Mismatch”

Billy Collins writes “accessible” poetry. It is clear, often funny, and typically ends with a turn that invites the reader in.

  • Avant-Garde Journals: If he sent to journals like Fence, Conjunctions, or even Neologism, he would be rejected almost immediately. They would view his work as “too simple,” “too linear,” or “lacking linguistic friction.” They want puzzles; he sells clarity.
  • High-Academic Journals: Journals that favor dense, difficult, or highly allusive work (like The Kenyon Review or The Yale Review) might find his work “too light” or “too commercial” without the weight of his name attached.

2. The “Slush Pile” Reality

Most journals accept less than 1% of submissions.

  • Volume: Editors often read 50-100 poems in a sitting. If a Billy Collins poem is widely readable but doesn’t have a shocking opening line or a bizarre visual format to grab attention in separate seconds, it might be passed over for something “louder.”
  • The “Good Enough” Problem: Editors reject “publishable” work every day simply because they have 5 slots and 500 “good” poems. Without his name, his poem is just one of the 500 “good” ones fighting for space.

3. The “Sweet Spot”

He would more likely be accepted by:

The New Yorker: (10% to 15% chance of acceptance.) They publish him now, but blind? They favor a very specific, polished voice that he has perfected, so he might still crack their code, but it’s not guaranteed.

Rattle: (40% to 60% chance of acceptance.) They prioritize “accessible” and “narrative” work. He is their ideal aesthetic.

The Sun: (15% to 25% chance of acceptance.) They want emotional resonance and clarity.

Agamemnon Never Had It So Good

Agamemnon Never Had It So Good

The creeping crabgrass sprouts…
And in a malaise of malcontent challenges the
        wafting, drafting hydrocarbons.
        A lawn of moldering green cadavers.
Mercury, mercury, everywhere, and not a drop
        to drink.
The salmon croaks. the sardine croaks, the crimson
        crawdad croaks, even the warted frog croaks.
But do crooks croak? Nay!
O, justice, thou art not blind —
         a bit deaf maybe — but not blind!
All that is left are saltines and brushed suede.
Thus we reach Armageddon.

—Zumwalt (late 1970s?)

PSYCHOLOGO

PSYCHOLOGO    

my table is busted
a sore sight to see
and the metal-grill chair
is as comfortable
as a bed of needles.
a pretty girl in a blue jacket
and in maroon cords
reads the school paper;
she is in a trance.
a small audience is watching
a couple of college students
playing five-minute chess.
a young women on the other side of the room
gazes at me over the rim of a
white coffee cup.

i burnt myself this morning
frying up french toast
and the pain mingles with everything else
like short-wave radio static.
1.3 GPA
yells a figure with sideburns
and a number of people
in his group laugh
until their heads fall off
and someone has to come
and put them back on.

sitting cross-legged on the carpet
and from a distance
it all looks like
a game of charades,
long, long hair
and i find myself stare.

i am thinking of leaving
PROTECT YOUR LOUNGE ENVIRONMENT
TAKE THE TIME TO BUS YOUR OWN TRASH
a famous musician enters,
but no one recognizes him.
a cloud hangs over,
but then again
maybe it's just the plumbing.
my eyesight is shot
everything in the distance
all looks the same
and now it is only my table
that is different from the others.

-- zumwalt (1974)
[reformatted for WordPress display]

Feckless Degeneracy with some Windmill Jousting

Feckless Degeneracy with some Windmill Jousting
  – an epic in several belches –


Belch the First – by way of prolegomena

Of arms and the man I sing
id est, of a man with arms
and hands for that matter
and nothing to do with them other
than push gliding yellow felt
across the faceless fees
of contract physicians
dealing the new deal daily
to the deaf
shipbuilders and jet mechanics
and the incompetent
OSHA oafs of Oshkosh
and Oklahoma
Sucking the blood of the body politic
politely
with a yellow felt pen
Felt pen is
all
he’s felt
lately
so come, muse
for someone should
and tell of the
student-cum-bureaucrat
the man with arms
and hands with
nothing to do
but
pay bills
and
perhaps
go blind

Belch the Second – in medias res (so what else is new?)

A brown caffeine haze
like the stained inversion layer
of womb-city L.A.
swirled buzzing beneath
his 4:30 AM skull
like a Santa Ana
locked in Aeolus’ cave
bleary
blurry
burned
home to Germantown
where the rosy-cheeked
firm-breasted
wives
of the power-corridor
stalkers
make their living
doing T.V. ads
for Cheer
Wisk
Breeze
and disposable douches
Brown and nondescript
his mentality
and
the 2 unkempt letters
on his unkempt bed
from an unkempt friend
a mad composer
Beethoven of software
UNIVAC of the mad pipes
and unorthodox tunes
and keeper of a faith
in which all have lost faith
but a miniscule
few

Insanity issues
from the violated
envelopes
rushing
leaping
prancing
like a horde of lusting shoppers
at Macy's white sale
bringing back
the shades, demons, ghosts, apparitions, & specters
of times past
when mastodons stalked the earth
and loons reigned, then,
and rationality belonged
to serfs
and the lords of bats
sat wiggo and lecherous
in a Coco’s booth
sucking the bean
and contemplating rape
Jolly jester gestures jump
from penciled pages
and in a laughing gasp
grabbed the
felt pen pusher
by corduroy lapels
howling
"Write!
for the faith is dwindling
like a soft candle-stump
its fleeting flame flickering faintly
from a shriveled wick.

Write!
For I am playing pool
and snooker
with a drunken busboy Lothario
the 2 of us
Lear and his fool
leering and fooling
around
with a round
girl and her
quoit-visaged female companion.
Write!
for the roundtable is broken
with the tennis player
salesman for Bridgeford
talking Tupperware and
household appliances
as he flies to Dallas.
With the great beard
Sleaze of times past
Falstaff with a joint
now playing it cool
in high finance
at the bastion
of upper-middle class
white vacuity
in Watts.
With the genius leader
of liberated wit
doing a Ulysses gig
in Asia
beaming knowledge into
little brown people
and contrition, obscurity
for the white man’s burden.
Write!
for it’s been so long,
I find tacos erotic
and Don Jose’s
threw me out
for
fondling
a quesadilla.
Write!
Right?”

“Right.”
Thus murmured the pen-pusher
toddling, tottering off
to sleep
to wake with the sun
and, at the school
the afternoon next
he gripped
his pen
violently
determined
and thought
Thank God Freud
is
dead.

Belch the Third — Arlington National Cemetery is my disco

So
the student
who feeds himself
with a yellow felt pen
and writes arcane
monographs
of the arabesque
convolutions
of
the politics in
Riyadh
and Jiddah
essayed
assessed
saying sayings
not quite sane
what he means
is what he said
Sotos speaks
so to speak.

An auspicious year
the best of the 20th
Sophocles’ 3 Stooges
Clotho & her Cronies
gave the Greek grief
early
tried to hand him a
couple of brooches
to do a number
on his bespectacled orbs
but he’d seen that one
before
So they packed up their spinning wheel
and headed for Ft. Lauderdale
lawn chair lounging
but not until
his transmission got up
and walked away from his
Merc
18 miles west of Phoenix
to the tune of
half a thousand
clams
If it wasn’t for the
pen pusher’s
plastic money
and smiling despair
he’d be flipping burgers
on Camelback Avenue
Wearing a Marlboro Stetson
snakeskin pasture pounders
and calling home
the T.V. and Gideon Bible
at the El Rokay Lodge.

Jojo's has crept like
mildew across a map
and Visa-financed
peasant lunches
kept the moustache
nourished all across the
continent.

Back to the city
of marble buildings
and minds with
few marbles
where the town namesake
“Father of His Country”
has a phallic monument
to mock
the yellow felt-pen
scrivener
whose social life
is on display
next to the stuffed
dodo
at the Smithsonian
and labeled
“Extinct.”

Well,
can’t complain
one supposes,
even though
the only thing between
the student bureaucrat
and a morals rap
is an iron will
and
saltpeter for breakfast.

Lots of late
nocturnal revelry
with Eve’s daughters
watching omelets
feed a Charybdis
appetite,
or
catching two-dollar
talkies
at the Circle.
Taystee Diner,
bean brew,
juke box jokes
as Hall & Oates,
Simon & Garfunkel
and Queen eat
my quarters
Coupla babes
a lanky blonde,
a petite brunette
(I’m a blonde
sorta,
maybe).
[If you’re a blonde
I’m Grover Cleveland]
But the pen-pusher
knows,
through the cruel anvil
of experience,
never argue with a
woman
Their logic
makes minds'
Minotaur maze
looks like I-10
between Quartzite
and Phoenix
so
peace dictates
saying
he’s been out late
with 2
buxom blondes
(and call the pen-pusher Grover Cleveland).
Fun
ladies
and dynamite looks
socko
boffo
knockouts
but
as for romance
my social life
is in formaldehyde
at
D.C. morgue
waiting
for someone
to identify
it.

Belch the Fourth — Ambition rides the Metro, but still
can’t get a seat.

Thrice
has the world spun
encompassing
ol’ Sol
in completed circuits
since
the Golden Greek
marched east
like Alexander
to conquer
Persia-on-the-Potomac
Thrice.
Most of those who
entered grad school
with the golden Greek
(before he cultivated
the yellow felt pen
to streak the
beige
bilious
bills
at Fran Perkins' Annex
(on 14th & NY, NW)
Most of those
who dared
demonic dementia
to
cut academia’s umbilical
with a
sheepskin rectangle
have
and got spewed
into
limbo

Alexander
pushes the yellow
felt pen
and checks the views
on the Strait of Hormuz
holding court
Doing okay
if you
are
a
tortoise
All done
excepting
100 pages
of
shoveling
so
let’s look
for
birth
in May ’82
unless
alma mater
aborts
Meantime
there’s always
yellow felt pens
and green
enough
money

It
all
adds up
to the
bottom
line which is the theory
of
relativity
flattened
in the templates of grad school
to wit
master programs stretch like taffy over time the faster
you
work and time goes gossamer tenuous and ephemeral
and
e...t...e...r...n...i...t...y
is
the... last... gasp... of... pondering... postgraduate... programs
while
your
transcript
grins
and
yawns
at once

Belch the Fifth — if life gives you meatballs, make albóndigas

Beckoning
from beyond
the lips of
an
unborn year
are the evergreen
plastic vegetables
that live
only
in refrigerators on display
at
Sears & Montgomery Ward
Come
come
We are the vegetables
of legitimacy
of actuality
and
your folks’ approval
eat
and
could we interest you in life
insurance?

Rustling
from behind
in those dim
glow worm grottos
at the
base of
your
mind
are the petrified
relics
Memories
of a golden age
long tarnished
return
return
return unused portion
of your life
for
a
*full refund*
Slapping
your back
with
ghostly hands
guffaws
Why be a
frog
when
you make one
helluva
tadpole?

Polystyrene peas
aren’t going to make
it
Julia Child or
no
Yet you
can’t keep
the cranium
small
while the cerebrum
expands
unless
you
want to
grow
lobes
out your
ears

The abyss
between
the plastic veggies and petrified pasts
is
the
only
place
to call
home
and
keep
your honor

The bricks
and
mortar
of
this
balancing house
are
words
the hardshells
of
deranged thoughts
that
maintain continuity
with the solid
past
and laugh
like
a
strait-jacket model
making
time
at Camarillo State:
the
faceless featureless
chaos
of the
unraveling future.

Belch the Last — by way of epilogue

The song is done,
Muse,
evaporated like
Borden’s milk
and the balance
in my
checking account
the yellow felt pen pusher
pushes
on
staining
audiologist indices
and the lives
he has
touched
like a
Mexican dinner
The time-space continuum
has
swallowed
the
Golden Greek
yellow felt pen
and
all
and
he inches
along
the
cosmic alimentary canal

But soft
like
that
Mexican dinner
cheap
and satisfying
he may return
with an acrid
burp
to remind
the party
of
what once
was.

—Zumwalt (May 1981)

Elegy for a close attachment

I am pleased to announce Zumwalt’s recent poem “Elegy for a close attachment” has been published today at the respected topical poetry site, New Verse News: https://newversenews.blogspot.com/2025/11/elegy-for-close-attachment.html

Here was the original poem written by Zumwalt:

Elegy for a close attachment

I once loved this world–my world–which
danced with emdashes–
the best kind–
at end of lines–
seemed so clean–
went directly to the heart
–or at start of lines
or–in-between

now, it is the mark of the beast,
and I accept the notice to
cease and desist:
doing my best to
return to,
and better
learn, the
effective incorporation of proper punctuation.

–zumwalt (October 2025)

And then Zumwalt made a slight revision to align with this news story: It’s been discussed online for some time how ChatGPT’s excessive use of em dashes are more like a bug than a feature. Finally, Sam Altman and team have come to the rescue.   As discussed in this November 14th news story, Sam Altman posted on X,  a few minutes before midnight on November 13th: “Small-but-happy win:  If you tell ChatGPT not to use em-dashes in your custom instructions, it finally does what it’s supposed to do!”  

https://techcrunch.com/2025/11/14/openai-says-its-fixed-chatgpts-em-dash-problem/

Elegy for a close attachment

I once loved this world–my world–which
danced with em dashes–
the best kind–
at end of lines–
seemed so clean–
went directly to the heart
–or at start of lines
or—in-between.

Now, it is the mark of the beast,
and I accept Sam’s notice to
cease and desist:
doing my best to implement on request
the effective incorporation of proper punctuation.

–zumwalt (revised November 14, 2025)

she started to stop ironing

she started to stop ironing

creases and wrinkles
pouts and interpretations
a phone number from Port Said
left in a pocket

Oh, how the gin fizzingly stirs
swirls of melodies unfurl
as veils drip
like honeyed
falling stars

Ah,
how the cover
stays low
so the currency flows
like foot traffic at
the dusty bazaar

“I’ll show you Egypt”
has been her most memorable reply
but I doubt her intentions
and so plan another solo excursion
hoping that
once I return
that crumpled, rumpled look
will be comfortably cool at work

— zumwalt (1998 with minor revision in 2025)

Over the counter

Over the counter
 
 
I never liked them anyways
And THEY ALWAYS came with a safety cap
for something that’s not now very safe
 
The bottle always asserted its authority
just two
wait this long if you really want more

Treated me like a child
even though it said “extra strength”
 
I am not pregnant
that’s hard for a man
particularly in their sixties
but what’s not good for a goose
is maybe even worse for a gander.
 
I live with pain
constantly
Bad neighbors
Bad news
and so —
pretty bad headaches…
 
I can easily explore better options
no warnings on dosages
I well know
what works well
and even
if I have
a brutal headache the next morning
and mess up the car driving
At least I had me some fun.

— zumwalt (2025)

Decay

Decay

Discrimination lies with concentration
Machinations, machinations
   equilibrium staggers—
Smell the breath of industry—intoxicated fumes
Has the ignition point been reached?
Atomize before the vestigial globules are digested
   and Odovacar pulverizes the wall

–Zumwalt (late 1970s or early 1980s)