Zumwalt Poems Online

Posts tagged ‘Contemporary Poetry’

Afternoon Off

Afternoon Off

Muscling for the right of way
With horn-blast exclamations
Traffic mutters its scat song score

The sun today
Like most days
Doesn’t shine postcard gold and honeyed
It glares
Through the inversion layer
A klieg light in a smoky cabaret
But
Just the same it warms
The square

Sprawled on the grass
Midtown midday characters in
Pershing’s street show
Young Chicanos scout for chicks
And advertise adolescence
Studied, casual, tough

Some shirtsleeve transient
Sporting scrimshaw arms
Scans a racing form
His shoe leather face focused more
On Santa Anita
Than the saints
Shouted, proclaimed
By an antique black
Whose white wisps of whiskers
Cling to his accusing chin
Clouds about a crag
That trembles with every thundered damnation
As the old man makes the park
His pulpit

Basking in my own insouciance
I consider
How best to consume the remainder of the day

Perhaps a saunter to the Biltmore
To grab a joe and watch for ghosts
Or a march upcountry to Bunker Hill
To glimpse the glass castles
Mercantile and magnificent
Then again
I might, like a rookie on the bench,
Sit attentive, listening
To the traffic
And the sermon
And see what happens
Next

— Zumwalt (ca. 1977)

Black with Sugar

Black with Sugar

Loam-dark
A mellow companion, rich
Whose waving vapors indicate
The only friendly warmth in this
Orange-and-yellow plastic always open Tabernacle

Silent on the Formica
Sweet Latin scents caress the senses
Softening
Blows from the nicotine grayness
And insipid ceiling-speak Muzak

Smooth and sepia
Spirals down the throat, wet, warm
For a moment attention drifts
From the bleary graveyard denizens
        the three-day growth denim jacket derelict
        the greasy ember of a cook
        the scrubbed behemoth cop
        A granite waitress

A quiet witness
To a melancholy 3:00 am solo
Outside
        the neon punches holes in the glacial black
        splaying stark pastels across the street’s lonely void
Inside
        Indifference frosts the electric décor
The mug is chipped
But its contents fight the chill and bring a
Welcome, wistful
Smile

— Zumwalt (1977)

Full Circle (A rumination in 3 strokes)

Full Circle
(A rumination in 3 strokes)


Stroke the First – Dante’s Laugh

Another cycle eats its tail
	While you’ve killed time
	Hacking through a Frisco fog
And now you’re hit
	Like a mole in headlights
	Squinting
		At the fact
		A circle is endless
Welcome to Limbo
	That flag’s still out there
	Snapping, flapping
		And the crowd’s sweaty
Joke’s on you
Dante chuckles
	As you strap on your spikes
Man – Don’t you know?
	Gotta be hip
	To run with the damned.



Stroke the Second –Odyssean Oddity

In overdrive
Wheels greased
You’re GORGED
On road
But that ribbon is still stretched to the horizon
	A long licorice lane
	Tugged tenuous to…where?
Dream of flight
	(if you please)
Call it a runway
Call you a cab
They’re just
	Distorted digressions
	By a lightheaded cyclist
	Sailing through a sapped psyche
So split-S
And barrel roll
Down the desolate wind tunnel
Of the vortex of your cortex
You’ll soon discover
A midget aviator can still get wind-sheared
	Fast as you can shout mayday.
When the whitecoats eavesdrop
On your black box
	They’ll start
	To find
You never left the ground.



Stroke the Third – This one’s for you

So—
	Thought you’d spend Eternity
	(Well, maybe just a slice, thanks)
In a beer ad
Grabbing gusto
Well –
	You sucked
	Untold sudsy shadows down
Got your PR buzz
Time to check your itinerary
	When you do
	You’ll spot your spot
On a Mobius strip
Crazy coordinates on a hellish helix
	With nowhere to go
	And no way home
Not to worry
Once more around and
Once you grab that brass ring
You will realize
	It’s mostly air.

— Zumwalt (D.C. ca. 1982)

The Sassoon Collection: viii. Middle Age

The Sassoon Collection

viii. Middle Age

I heard a creak, and a groan
And felt a twinge of wooden pain
A man running in a crowd
Deep in its shadow he moved.
‘Ugly work!’ thought I,
Gasping for breath.
‘Time must be cruel and proud,
‘Tearing down this body.’

With gutsy glimmering shone
my dignity as the wind grew colder.
This aging man jogs over the hill,
Bent to make the grade
‘There is no gain without further pain’…
Sluggishly passing the trees.
Aches in the joints were shrill,
As unmeasured steps sank into the hard asphalt.

— Zumwalt (2011)

Copyright © 2011

The Sassoon Collection: vi. The imperfect cook

The Sassoon Collection

vi. The imperfect cook

I never ordered something to be perfect,
Though often I’ve asked for fiery spicy or without sugar as a small invasion
Of mastering cooking.

I never asked that your dishes
Might stand, unburnt, moist and savory
Pointing the way toward gastronomical peaks like a sign-post.

Oh yes, I know the way to the heart is easy.
We found the little menu of our passion
That all can share who walk the road of gourmands.
In wild and succulent feasting we stumbled;
And sweet, sour, bitter, salty and spicy senses.

But I’ve grown sated now. And you have lost
Your early-morning freshness of surprise
At creating new dishes.  You’ve learned to fear
The gloomy, stricken places in my stomach
And the occasional indigestion that haunts me later.

You made me fat; and I can still return
for seconds, the haven of my lonely pride:
But I am sworn to partake of variety
the blossom from invention and disparate exploration
And there shall be no follow-up in a failure;
Since, if we ate like beasts, the plates are clean
And I’ll not redirect portions of portions to pets under the table.

You dream endless assemblies of culinary masterpieces
Yet, in my heart, I dread average results
But, should you grow to hate my critiques, I would ask
No mercy from your feelings. I’d have you turn from the stove
And look me in the eyes, and laugh, and suggest take-out.

Then I should know, at least, that taste prevailed
Though flavor had died of wounds. And you could leave me
unfamished in an atmosphere of ongoing appetite.

— Zumwalt (2011)

Copyright © 2011

The Sassoon Collection: iv. Butter and Eggs

The Sassoon Collection

iv. Butter and eggs

Robust diners, deftly forking in the fat.
O no longer living triglycerides against the heedless tongue
Of buffet and banquet days, what sends them gliding through
This set of dancing teeth?

Theirs are the hungry cadences between
The enraptured chewing of hefty humans that make
Heaven in the booth while second helpings simmer;
And theirs the faintest whispers that hush the desire.

And they are as a released soul that wings its way
Out of the starlit dimness above the moon
And they are the largest beings — born
To know but this, the phantom glare of fullness.

— Zumwalt (2011)

Copyright © 2011

The Handcuff King

The Handcuff King

Escape pays for now:
suspend me upside down;
lock glass and steel;
fill fully;
water flowing over.

But if my escapes entertains,
understand that it is my existence.
I can handle building-size milk cans, Chinese water torture cells,
underwater crates and being buried alive.

Faced with flight or forced-fight,
the choice is easy
but understand I must force fight to flee:
no escape is without struggle.

But without escape or the opportunity of one,
I must hang on
and for how long?

Until I burst?

Or until I meet the next world:
the destiny of all that depart?

Explain to me the retreat available:
the extrication that sidesteps;
the evasion that slips the lock,
that springs a liberation.

No,  you know no more than I about withdrawal.
You just know more about staying the course
and that won’t help much
when I need to leave, not the visage of death,
but death itself
and its closely shrouded, tightly bound design.

— Zumwalt (2011)

what soul is not besieged

what soul is not besieged

what soul is not besieged by rotten eggs and soft tomatoes
by answers unreturned and questions unsent
by minutes that make up hours and hours
           that tear down the day

what mind is not put upon and
           once put upon
                           cast off into a corner
what body is not battered and
                   beaten by the blows it shields
itself from

what soul is not bombarded
         by twenty-two gauge shot and mortar fire
by unresolved cadential patterns
         that whine around the head

by invalidation of beliefs and
         of what one has seen and sensed

there is reason to suspect that one can grow
if only the rainy season didn’t last
                                                       the entire year.

—  Zumwalt (1991)

The Sassoon Collection: vii. The Manager

The Sassoon Collection

vii. The Manager

‘Good-morning; good-morning!’ the well-rested manager said
When we worked through the night to finish on time
the urgent assignment he failed to review and release
until late afternoon.

And we mock his insincerity as a matter of routine:
‘I work for you’, ‘What can I do to help you finish this sooner?’
As our stomachs growl from the coffee machine brew
But nonetheless still polite to his face
since by his judgment alone is our performance scored.

— Zumwalt (2011)

On an afternoon

On an afternoon

On a breezy summer afternoon
two universes, once far apart,
approached each other
and drawn by forces
not easily understood,
collided
and created the beginnings
of a universe
with different rules and circumstances
than the previous two.

Dense and hot,
close and furious,
with energy beyond any expectation
this new universe started,
expanded,
establishing first an identity
and then a history.

Heat gave way to growth
and sometimes we gave way to each other.

Attraction resulted in collisions
and each left their own marks on the other.

I once knew another universe
so different
but not so long ago.
Now there is only this one
with its own rules
and strange little quarks.

I once grew in another universe
with not such clear boundaries.
It was less predictable
and less complicated
without any out-of-equilibrium decay scenarios
or unexpected violations of time inversion symmetry.

This universe
gave us the nursery:
each star more important
than the universe itself
but adding to and altering its very fabric.

Yet, how could I not notice
that each star had its very own universe
and paid little attention to the grander scheme.
Envious, I was, like the biker who sold his Harley
and had to watch it be driven off the lot.

This universe gave us grandchildren:
each one more precious than any law of physics.

Yet, how could I not note that this
was the measurement of time.

I cannot escape this universe,
I cannot go back to the one I had.
I do not know the difference between you and I
or the underlying nature of this universe itself.

I do not know where your universe went
or what part it played in the one we share.
I cannot see how this universe ends
or if it still depends on you and I.

On a breathtaking, brilliant summer afternoon
two independent universes, each with its own part,
appropriated each other
and created new forces
not easily withstood,
coincided,
and then guided the beginnings
of a universe
with different composition and consequences
than the previously predominant two.

— Zumwalt (2011)