My apologies. I had messed up the formatting earlier. It is now corrected.
Imperfect Information
Imperfect information

Imperfect information
This
is
a sequential game
even
when
I
attack
out
of
turn
each
and
every move
is
built
on the
one before.
Round
after
round
we proudly announce
a
target
square.
Sometimes
we
hit
Sometimes
we
m
i
s
s
But
never
fail to
attack.
Salvo,
my friend
When
you are most
relaxed
and think
all is
calm waters.
As
long as
there
are ships
afloat
There
will be
missiles
launched
across
these
now choppy seas.
Salvo,
my friend
All
shots at once
against
our better
judgment.
As
long as
there
are missiles
to launch
There
will be
ships
targeted
aggravating
these
now choppy seas.
But
once it is
clear
there
is some
chance at
sinking
even
one
ship
We
pull
back,
bend
the
rules,
re-
arrange
our
positions,
midway,
put some
ships
in reserve,
deny
any
cease fire
and
secretly
fill out
our
battle reports.
-- zumwalt (2011, modified 2025)
formaldehydration

formaldehydration
flickering, fluttering inauspicious celestial butterfly
recklessly spatters dribbling drips of darkened burgundy
over underwhelmed over-conscientious Cal Poly Pomona Green.
diamanté dimensions collide with an autumn-autumn whisper
merging the flap-flap-flap fanlight florescence with a soft gentle tap
shamefully simmering shimmy-round-sizzling shake-down capabilities.
this high-speed, high-tech, high-result diet
has made me high-strung;
it streams passing indentations of over-charged electrons and phantom fairy-tales
faster than the past registers future impressions of near-miss impacts.
I know
time
is slow.
starting off
when I
begin
finishing long after I am done.
and
truth
the crippled fugitive hiding
in
shadows of possibilities
cannot resist darting
out
for
a quick encore before the opening curtain.
Accessory Imagination
unable to ensure an icy trail
weds speed-dating,
timed-release capsules
to produce a solid business case
for planetary intimidation
but
when references are required
habitually-blinking,
surreptitiously-slinking imagination
sneaks away
like an exhausted waiter
forced to serve final meals
to a negligently unchained
food-critiquing population
desperately devouring
the final bounty of resources
one deja-vu moment
before
the impending
never-ever-ever-ending
bright-light-headlight-headache supernova drought.
— zumwalt (2011, revised 2025)
jump count
jump count
The cycle sunk
and with disaster
capsized the bounty:
a quick game played into
extra terms and over time,
a reckless plot with
some mention of revenge;
a speculative view
afforded by affronting the populace.
the spring is wound…
the sword is drawn with crayons,
and you and I are pawns
in a game of pick-em-up 52.
-Zumwalt 1973
To all poets: Never get discouraged
This is from Gemini 3.0:
If Billy Collins—a two-term U.S. Poet Laureate known for accessibility, humor, and narrative clarity—submitted his best work under the name “John Doe” to a random mix of 100 literary journals today, here is the harsh statistical reality:
He would likely be rejected by 85% to 95% of them.
Here is the breakdown of why:
1. The “Aesthetic Mismatch”
Billy Collins writes “accessible” poetry. It is clear, often funny, and typically ends with a turn that invites the reader in.
- Avant-Garde Journals: If he sent to journals like Fence, Conjunctions, or even Neologism, he would be rejected almost immediately. They would view his work as “too simple,” “too linear,” or “lacking linguistic friction.” They want puzzles; he sells clarity.
- High-Academic Journals: Journals that favor dense, difficult, or highly allusive work (like The Kenyon Review or The Yale Review) might find his work “too light” or “too commercial” without the weight of his name attached.
2. The “Slush Pile” Reality
Most journals accept less than 1% of submissions.
- Volume: Editors often read 50-100 poems in a sitting. If a Billy Collins poem is widely readable but doesn’t have a shocking opening line or a bizarre visual format to grab attention in separate seconds, it might be passed over for something “louder.”
- The “Good Enough” Problem: Editors reject “publishable” work every day simply because they have 5 slots and 500 “good” poems. Without his name, his poem is just one of the 500 “good” ones fighting for space.
3. The “Sweet Spot”
He would more likely be accepted by:
The New Yorker: (10% to 15% chance of acceptance.) They publish him now, but blind? They favor a very specific, polished voice that he has perfected, so he might still crack their code, but it’s not guaranteed.
Rattle: (40% to 60% chance of acceptance.) They prioritize “accessible” and “narrative” work. He is their ideal aesthetic.
The Sun: (15% to 25% chance of acceptance.) They want emotional resonance and clarity.

In 1925, recording technology continued to improve with jazz bands across the USA making their first recordings, even if it was only one double-sided 78 record.
1925 was the year Armstrong transitioned from being the greatest 1920s jazz sideman to a leader of his own group. He began the year in New York with Fletcher Henderson and ended it in Chicago recording the first “Hot Five” tracks starting in November — some of my favorite jazz recordings of all time, and generally recognized as highly treasured musical landmarks.
Other notable names made recordings this year: the trumpeter Bix Beiderbecke, Fats Waller, Duke Ellington with his group The Washingtonians, Bessie Smith, and Ethel Waters. The sides they recorded are still musical gems a hundred years later.
Lesser names recorded, of course. Some had big hits, including Ben Bernie and His Hotel Roosevelt Orchestra’s original hit recording of “Sweet Georgia Brown” and Paul Whiteman’s symphonic jazz version of James P. Johnson’s “Charleston,” which became a popular representation of the vitality and character of the “Roaring Twenties.”
There were many lesser names with less known recordings that are worth checking out including the Original Crescent City Jazzers recording “Christine” and The Halfway House Orchestra’s “Pussy Cat Rag.” Yes, we still had rags being featured in both jazz and in written concert hall music, but ragtime was now a historical style, and most pieces titled rags in 1925 were jazz and not ragtime.
1925 was a diverse and productive year for concert hall music including George Gershwin‘s Piano Concerto in F, Edgard Varèse‘s Intégrales ,and Alban Berg‘s masterpiece, the opera Wozzeck.
Even rock fans will find 1925 abundant with gems that they would likely appreciate: “Cow Cow Blues” by Dora Carr and Cow Cow Davenport which is a blues recording enlivened with early elements of boogie woogie as well as Blind Lemon Jeffersons first recordings including “Black Horse Blues.” At the same time, many recordings of “pre-bluegrass” and “pre-country” music were recorded including Charlie Poole’s unrelenting, banjo-driven “Don’t Let Your Deal Go Down Blues” with traditional fiddle and rhythmic acoustic guitar.
All in all, 1925 had a wealth of music that any music lover can spend a few weeks, if not a full year, exploring.
Agamemnon Never Had It So Good

Agamemnon Never Had It So Good
The creeping crabgrass sprouts…
And in a malaise of malcontent challenges the
wafting, drafting hydrocarbons.
A lawn of moldering green cadavers.
Mercury, mercury, everywhere, and not a drop
to drink.
The salmon croaks. the sardine croaks, the crimson
crawdad croaks, even the warted frog croaks.
But do crooks croak? Nay!
O, justice, thou art not blind —
a bit deaf maybe — but not blind!
All that is left are saltines and brushed suede.
Thus we reach Armageddon.
—Zumwalt (late 1970s?)
Musical Monday: Louis Armstrong 1962 Video of “Someday”

I have been going through Louis Armstrong’s recorded catalogue, and such a treat! I love this video of Louis and his all-stars performing “Someday” from 1962. This was almost a year after all-star clarinetist Barney Bigard left the band and was replaced with Joe Darensbourg, and about 20 months before Louis recorded his version of “Hello Dolly” which when released the following year in 1964 would push the Beatles out of the top spot in the charts for 14 consecutive weeks. Yes, only Louismania could contend with Beatlemania!
YOUTUBE VIDEO: https://www.youtube.com/watch?v=EDg–Bb79YM
This should also warm your heart for the holiday seasons: https://www.youtube.com/watch?v=elJb_Inyazk
PSYCHOLOGO

PSYCHOLOGO
my table is busted
a sore sight to see
and the metal-grill chair
is as comfortable
as a bed of needles.
a pretty girl in a blue jacket
and in maroon cords
reads the school paper;
she is in a trance.
a small audience is watching
a couple of college students
playing five-minute chess.
a young women on the other side of the room
gazes at me over the rim of a
white coffee cup.
i burnt myself this morning
frying up french toast
and the pain mingles with everything else
like short-wave radio static.
1.3 GPA
yells a figure with sideburns
and a number of people
in his group laugh
until their heads fall off
and someone has to come
and put them back on.
sitting cross-legged on the carpet
and from a distance
it all looks like
a game of charades,
long, long hair
and i find myself stare.
i am thinking of leaving
PROTECT YOUR LOUNGE ENVIRONMENT
TAKE THE TIME TO BUS YOUR OWN TRASH
a famous musician enters,
but no one recognizes him.
a cloud hangs over,
but then again
maybe it's just the plumbing.
my eyesight is shot
everything in the distance
all looks the same
and now it is only my table
that is different from the others.
-- zumwalt (1974)
[reformatted for WordPress display]
Feckless Degeneracy with some Windmill Jousting

Feckless Degeneracy with some Windmill Jousting
– an epic in several belches –
Belch the First – by way of prolegomena
Of arms and the man I sing
id est, of a man with arms
and hands for that matter
and nothing to do with them other
than push gliding yellow felt
across the faceless fees
of contract physicians
dealing the new deal daily
to the deaf
shipbuilders and jet mechanics
and the incompetent
OSHA oafs of Oshkosh
and Oklahoma
Sucking the blood of the body politic
politely
with a yellow felt pen
Felt pen is
all
he’s felt
lately
so come, muse
for someone should
and tell of the
student-cum-bureaucrat
the man with arms
and hands with
nothing to do
but
pay bills
and
perhaps
go blind
Belch the Second – in medias res (so what else is new?)
A brown caffeine haze
like the stained inversion layer
of womb-city L.A.
swirled buzzing beneath
his 4:30 AM skull
like a Santa Ana
locked in Aeolus’ cave
bleary
blurry
burned
home to Germantown
where the rosy-cheeked
firm-breasted
wives
of the power-corridor
stalkers
make their living
doing T.V. ads
for Cheer
Wisk
Breeze
and disposable douches
Brown and nondescript
his mentality
and
the 2 unkempt letters
on his unkempt bed
from an unkempt friend
a mad composer
Beethoven of software
UNIVAC of the mad pipes
and unorthodox tunes
and keeper of a faith
in which all have lost faith
but a miniscule
few
Insanity issues
from the violated
envelopes
rushing
leaping
prancing
like a horde of lusting shoppers
at Macy's white sale
bringing back
the shades, demons, ghosts, apparitions, & specters
of times past
when mastodons stalked the earth
and loons reigned, then,
and rationality belonged
to serfs
and the lords of bats
sat wiggo and lecherous
in a Coco’s booth
sucking the bean
and contemplating rape
Jolly jester gestures jump
from penciled pages
and in a laughing gasp
grabbed the
felt pen pusher
by corduroy lapels
howling
"Write!
for the faith is dwindling
like a soft candle-stump
its fleeting flame flickering faintly
from a shriveled wick.
Write!
For I am playing pool
and snooker
with a drunken busboy Lothario
the 2 of us
Lear and his fool
leering and fooling
around
with a round
girl and her
quoit-visaged female companion.
Write!
for the roundtable is broken
with the tennis player
salesman for Bridgeford
talking Tupperware and
household appliances
as he flies to Dallas.
With the great beard
Sleaze of times past
Falstaff with a joint
now playing it cool
in high finance
at the bastion
of upper-middle class
white vacuity
in Watts.
With the genius leader
of liberated wit
doing a Ulysses gig
in Asia
beaming knowledge into
little brown people
and contrition, obscurity
for the white man’s burden.
Write!
for it’s been so long,
I find tacos erotic
and Don Jose’s
threw me out
for
fondling
a quesadilla.
Write!
Right?”
“Right.”
Thus murmured the pen-pusher
toddling, tottering off
to sleep
to wake with the sun
and, at the school
the afternoon next
he gripped
his pen
violently
determined
and thought
Thank God Freud
is
dead.
Belch the Third — Arlington National Cemetery is my disco
So
the student
who feeds himself
with a yellow felt pen
and writes arcane
monographs
of the arabesque
convolutions
of
the politics in
Riyadh
and Jiddah
essayed
assessed
saying sayings
not quite sane
what he means
is what he said
Sotos speaks
so to speak.
An auspicious year
the best of the 20th
Sophocles’ 3 Stooges
Clotho & her Cronies
gave the Greek grief
early
tried to hand him a
couple of brooches
to do a number
on his bespectacled orbs
but he’d seen that one
before
So they packed up their spinning wheel
and headed for Ft. Lauderdale
lawn chair lounging
but not until
his transmission got up
and walked away from his
Merc
18 miles west of Phoenix
to the tune of
half a thousand
clams
If it wasn’t for the
pen pusher’s
plastic money
and smiling despair
he’d be flipping burgers
on Camelback Avenue
Wearing a Marlboro Stetson
snakeskin pasture pounders
and calling home
the T.V. and Gideon Bible
at the El Rokay Lodge.
Jojo's has crept like
mildew across a map
and Visa-financed
peasant lunches
kept the moustache
nourished all across the
continent.
Back to the city
of marble buildings
and minds with
few marbles
where the town namesake
“Father of His Country”
has a phallic monument
to mock
the yellow felt-pen
scrivener
whose social life
is on display
next to the stuffed
dodo
at the Smithsonian
and labeled
“Extinct.”
Well,
can’t complain
one supposes,
even though
the only thing between
the student bureaucrat
and a morals rap
is an iron will
and
saltpeter for breakfast.
Lots of late
nocturnal revelry
with Eve’s daughters
watching omelets
feed a Charybdis
appetite,
or
catching two-dollar
talkies
at the Circle.
Taystee Diner,
bean brew,
juke box jokes
as Hall & Oates,
Simon & Garfunkel
and Queen eat
my quarters
Coupla babes
a lanky blonde,
a petite brunette
(I’m a blonde
sorta,
maybe).
[If you’re a blonde
I’m Grover Cleveland]
But the pen-pusher
knows,
through the cruel anvil
of experience,
never argue with a
woman
Their logic
makes minds'
Minotaur maze
looks like I-10
between Quartzite
and Phoenix
so
peace dictates
saying
he’s been out late
with 2
buxom blondes
(and call the pen-pusher Grover Cleveland).
Fun
ladies
and dynamite looks
socko
boffo
knockouts
but
as for romance
my social life
is in formaldehyde
at
D.C. morgue
waiting
for someone
to identify
it.
Belch the Fourth — Ambition rides the Metro, but still
can’t get a seat.
Thrice
has the world spun
encompassing
ol’ Sol
in completed circuits
since
the Golden Greek
marched east
like Alexander
to conquer
Persia-on-the-Potomac
Thrice.
Most of those who
entered grad school
with the golden Greek
(before he cultivated
the yellow felt pen
to streak the
beige
bilious
bills
at Fran Perkins' Annex
(on 14th & NY, NW)
Most of those
who dared
demonic dementia
to
cut academia’s umbilical
with a
sheepskin rectangle
have
and got spewed
into
limbo
Alexander
pushes the yellow
felt pen
and checks the views
on the Strait of Hormuz
holding court
Doing okay
if you
are
a
tortoise
All done
excepting
100 pages
of
shoveling
so
let’s look
for
birth
in May ’82
unless
alma mater
aborts
Meantime
there’s always
yellow felt pens
and green
enough
money
It
all
adds up
to the
bottom
line which is the theory
of
relativity
flattened
in the templates of grad school
to wit
master programs stretch like taffy over time the faster
you
work and time goes gossamer tenuous and ephemeral
and
e...t...e...r...n...i...t...y
is
the... last... gasp... of... pondering... postgraduate... programs
while
your
transcript
grins
and
yawns
at once
Belch the Fifth — if life gives you meatballs, make albóndigas
Beckoning
from beyond
the lips of
an
unborn year
are the evergreen
plastic vegetables
that live
only
in refrigerators on display
at
Sears & Montgomery Ward
Come
come
We are the vegetables
of legitimacy
of actuality
and
your folks’ approval
eat
and
could we interest you in life
insurance?
Rustling
from behind
in those dim
glow worm grottos
at the
base of
your
mind
are the petrified
relics
Memories
of a golden age
long tarnished
return
return
return unused portion
of your life
for
a
*full refund*
Slapping
your back
with
ghostly hands
guffaws
Why be a
frog
when
you make one
helluva
tadpole?
Polystyrene peas
aren’t going to make
it
Julia Child or
no
Yet you
can’t keep
the cranium
small
while the cerebrum
expands
unless
you
want to
grow
lobes
out your
ears
The abyss
between
the plastic veggies and petrified pasts
is
the
only
place
to call
home
and
keep
your honor
The bricks
and
mortar
of
this
balancing house
are
words
the hardshells
of
deranged thoughts
that
maintain continuity
with the solid
past
and laugh
like
a
strait-jacket model
making
time
at Camarillo State:
the
faceless featureless
chaos
of the
unraveling future.
Belch the Last — by way of epilogue
The song is done,
Muse,
evaporated like
Borden’s milk
and the balance
in my
checking account
the yellow felt pen pusher
pushes
on
staining
audiologist indices
and the lives
he has
touched
like a
Mexican dinner
The time-space continuum
has
swallowed
the
Golden Greek
yellow felt pen
and
all
and
he inches
along
the
cosmic alimentary canal
But soft
like
that
Mexican dinner
cheap
and satisfying
he may return
with an acrid
burp
to remind
the party
of
what once
was.
—Zumwalt (May 1981)