A center that bore a great leader’s name, A symbol of culture, of merit, of fame, Now carries a brand that’s suspect and lame: So artists avoid it, along with its shame.
Now our president posts it’s time to shut down; “No one rejects ME,” he thinks with a frown. “Time to remodel — I’ll teach this whole town, I may not be nice, but I DO wear the crown!”
“The Justice Department filed charges Thursday against a man who allegedly tried to spray Rep. Ilhan Omar, D-Minn., with a substance from a syringe during a town hall in Minneapolis this week. Trump said in an interview with ABC News that Omar ‘probably had herself sprayed, knowing her.’”
Trump slandered Omar by name, With hateful words fanning the flame. A man sprayed her face, Got charged in this case— Please tell me, who’s truly to blame?
I am honored to announce that Zumwalt’s recent poem, “take this,” has been selected by the editors of Ink Sweat and Tears as one of their six nominees for pick of the month.
Gibbon and Toynbee bump into Spengler at Starbucks
Steel glass shafts Glint skyward Glittering silver deceptively erect Yet reality is whispered With salient impotence In sequins, basking They are ripe for a gaudy technicolor cave-in To a Muzak score Rotten props, rotten struts, rotten foundations
Polished pillars once We’ve lost the varnish And revel in the grease-spots And ember-burns While concealing our leprous nudity in faded Purple Thus we pursue Byzantium At a break-neck stagger into the nitre trough To be the feast of Seljuk flies Humming 4-chord progressions Rotten rags, rotten flesh, rotten sensibilities
No phoenix pyre The red of flame metamorphosed to rust And blue-bright iron Decays to dust Rubble spawning weeds And housing ravenous mandible-clapping insects Living but to shun the day And suck the husk Of desiccated brains
“President Donald Trump, on Wednesday, January 21, 2026, scrapped the tariffs that he threatened to impose on eight European nations to press for U.S. control over Greenland, pulling a dramatic reversal shortly after insisting he wanted to get the island ‘including right, title and ownership.’”
He eyed up the ice for a deal, Which he swore he could buy or would steal, But now he’s retreating From his warlike chest beating, as if it had all been surreal.
This is quite an honor to have three lengthy poems of this level of density and abstraction published on a high-traffic site like The Good Men Project. Please visit if you have a minute.
This is a highly visited online publication per Gemini AI: “The Good Men Project:~2 – 3 Millionmonthly visitors (varies by source, sometimes listed as 1.9M unique visitors)“
FYI -- the formatting for "roads closed" was lost when posted on their site.
Here is the original formatting for this one poem of the three that couldn't be presented as intended:
past the open door into childhood, a muddy playground of grimy, tarnished trinkets, hand-me-down souvenirs, and overexposed negatives,
then the path leading to the classroom and its subjects: Karen, Gordon, Bruce, Janet, Jane, and that guy that got into trouble now and then. Oh, yeah, that was me.
There are uncountable, unaccountable potholes taunting my feet, one of which, always, unexpectedly, gets caught in their hidden recesses: forward momentum turned into brutal falls.
There are alley ways:
narrow, some unpaved, that once entered, and encountering an un- navigable dead end , are a bear to back out — simply un-ne-go-ti-a-ble
I visited the city of our first year —together— as I often do... but now vanished is much of the interior of that corner café where we first met: its outside signage rusted and illegible.
Gone are one, two places where we together —arms locked— stretched our budget to buy groceries.
Only that first store remains the other now missing now vague mysteries
the apartment is still there but not the stairs
were there elevators in our wing?
ever?
There had to be but they are just walls now...
Moving on to our second city I find much less: gone are most roads not sure who the president was of the HOA, the White House.
Don't ask me of the cities in-between I am lucky to know this one but yet — who called to see us yesterday? I can remember my first kiss at six but not who last rang the doorbell.
Echoes scurry about sniffing the decay, detritus, and their own droppings, quickly down gutter holes and cellar openings:
now but an uninvited, unwanted tourist in the ruins clutching the few remaining pages of a guidebook with print too small.
The clouds have gathered. Flashes and flashbacks peek out, fearful of the shadows their own light casts.
They can't craft an outline, a paragraph, a complete sentence.
I don't know what I don't know, I never have — but I do remember what I don't remember
and no amount of careful remodeling will ever set that right.