Zumwalt Poems Online

Posts tagged ‘Wallace Stevens’

To the Wonder of Fake Intelligence

The imagination that we spurned and crave:
Unreal! Give back to us what once we gave….
A band entwining, set with fatal stones,
Bear other perfumes on your pale head wear.
For this, musician, in your girdle fixed,
The difference that heavenly pity brings,
Our feigning with the strange, unlike, whence springs
Too near, too clear, saving a little to endow,
Yet not too like, yet not so like to be….

We give ourselves your latest issuance,
O bough and bush and scented vine, in whom
Among the arrant spices of the sun,
As in your name, an image that is sure,
That apprehends the most which sees and names,
And of all vigils musing the obscure,
The near, the clear, and flaunts the dearest bloom,
That music is intensest which proclaims
That retentive of themselves are men.

In the laborious weaving that you wear
Most rare, or ever of more kindred air
Than yours, out of our imperfections wrought,
Gives motion to perfection more serene,
Gross effigy and simulacrum, none
By being so much of the things we are,
Yet leaves us in them, until earth becomes,
That separates us from the wind and sea,
Now of the music summoned by the birth.

No crown is simpler than the simple hair:
Its venom of renown, and on your head,
Of cloudy silver sprinkles in your gown
And flame and summer and sweet fire — no thread.
And queen, and of deducted love the day
And of the fragrant mothers the most dear
Most near, most clear, and of the clearest bloom,
And of the sisterhood of the living dead
Sister and mother and inducive lore.

— Steven S. Wallace

(– zumwalt’s only known purely “contextual poem”)

Post Example of Response for Wednesday Poetry Challenge #7

Posting this first before posting Poetry Challenge #7.

This is an example of the post or page that can be used for this challenge.

I am creating this as a post as well as a page.

Totally up to you as which option.  Below is the contents:

Journal for Poetry Challenge #7

 

DAY 1: Jan, 1, 2012

The Snowman by Wallace Stevens

The essence of existence: this is the essence of this poem.   By providing one long sentence that one must carefully navigate, Stevens provides the best structure to support the meaning — we must have the right neutral outlook to see the true actuality — but without a viewpoint, we not only stop seeing what we normally impose on our perception, but we stop seeing.  A paradoxical poem, that truly sums up our place in the physical universe.

 

DAY 2: Jan, 2, 2012

Memory of Sun by Anna Akhmatova

Akhmatova nicely captures that deep sense of that terrible loss that leaves one feeling empty and dead. “Memory of sun seeps from the heart”, “Nothing at all will happen here again.”   Is this the loss of  an unborn child the persona had been carrying?  Perhaps she was going to marry the man being spoken to in the poem, but this didn’t occur due to the miscarriage?  Perhaps she can never have a child again.  Dismal and dark, there is no glimmer of hope here.

 

DAY 3: Jan, 3, 2012 

Casey at the Bat by Ernest Lawrence Thayer 

 This is a poem first heard in my childhood — the teacher reading us the text.  It was confusing from the start (hearing that Cooney died and then realizing it wasn’t that he actually died but was tagged at first) and there were many words I didn’t know — but the musicality was amazing and I loved each and every rhyme.

What impressed me the most was the ending — it wasn’t a happy ending — and it clearly sent a message about overconfidence.  At the time I was stunned  — this was not the outcome I had been expecting.  

The richness of the ending stuck with me for days.  And then whenever I heard about baseball or poetry I thought about this poem — and the many messages that were implied including “one doesn’t always get what they want”, “don’t be so sure of yourself that you pass up opportunities” and most of all “put defeat in perspective — this was just a baseball game.”

DAY 4: Jan, 4, 2012

Tell all the Truth  by Emily Dickenson

In 1977, I was looking for a poem to set to music for my Music Bachelor Degree composition recital.  This poem was perfect due to its layers of meaning (is it just guidance on how to create a poem — or more?) and the many opportunity for tone painting (emphasizing or representing the meaning of given words or phrases with appropriate notes, rhythms, musical effects or musical phrases.) 

I was enamoured by Messiaen’s “Quartet for the End of Time” and mimicked his style to some degree but tried my best to underscore the message of the poem.  The amazing thing is that each line can be painted beautifully outside of the context of the poem — but one must balance that against achieving a unified musical message to support the text.

Well, the music is long lost and forgotten, but I still love this poem dearly.